Metropolitan
1989 · 99 min · Director: Whit Stillman
Show plot summary (may contain spoilers)
In an apartment on Manhattan a couple of friends from the New York upper-class meet almost every night to talk about social mobility, play bridge and discuss Fourier's socialism; the cynic Nick, the philosophical Charlie, party girl Sally and austenite Audrey. They are joined by Tom. His background is much simpler and he is critical of their way of life. But he finds a soul mate in Audrey, who without his knowledge falls in love with him.
Emotional fingerprint
Metropolitan (1989) — Movie. Top emotional signals: Humor 30%, Curiosity 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Curiosity25%
- Love20%
- Melancholy15%
- Empathy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Curiosity, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Curiosity and Love. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Sympathy
- Melancholy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Hope
Dominant emotion: Sympathy
Dominant emotion: Melancholy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Sympathy | Melancholy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 37 % | 37 % | 9 % | 3 % |
| 7.5 % | ≈ 7′ | Humor | 36 % | 36 % | 11 % | 6 % |
| 12.5 % | ≈ 12′ | Humor | 36 % | 36 % | 12 % | 11 % |
| 17.5 % | ≈ 17′ | Humor | 37 % | 37 % | 15 % | 18 % |
| 22.5 % | ≈ 22′ | Humor | 40 % | 39 % | 17 % | 17 % |
| 27.5 % | ≈ 27′ | Humor | 42 % | 38 % | 16 % | 10 % |
| 32.5 % | ≈ 32′ | Hope | 41 % | 32 % | 23 % | 13 % |
| 37.5 % | ≈ 37′ | Humor | 42 % | 34 % | 33 % | 22 % |
| 42.5 % | ≈ 42′ | Humor | 50 % | 32 % | 39 % | 30 % |
| 47.5 % | ≈ 47′ | Sympathy | 54 % | 22 % | 44 % | 39 % |
| 52.5 % | ≈ 52′ | Melancholy | 48 % | 26 % | 38 % | 38 % |
| 57.5 % | ≈ 57′ | Humor | 48 % | 30 % | 40 % | 35 % |
| 62.5 % | ≈ 62′ | Sympathy | 52 % | 25 % | 44 % | 37 % |
| 67.5 % | ≈ 67′ | Melancholy | 50 % | 30 % | 33 % | 31 % |
| 72.5 % | ≈ 72′ | Humor | 49 % | 39 % | 25 % | 21 % |
| 77.5 % | ≈ 77′ | Hope | 48 % | 37 % | 24 % | 20 % |
| 82.5 % | ≈ 82′ | Humor | 43 % | 35 % | 24 % | 24 % |
| 87.5 % | ≈ 87′ | Humor | 45 % | 37 % | 27 % | 21 % |
| 92.5 % | ≈ 92′ | Tension | 51 % | 41 % | 24 % | 12 % |
| 97.5 % | ≈ 97′ | Humor | 52 % | 45 % | 19 % | 9 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Metropolitan. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Audrey Rouget
Cynthia McLean
Sally Fowler
Jane Clarke
Fred Neff
Rick Von Sloneker
Serena Slocum
Victor Lemley
Man at Bar
Mrs. Townsend
Mrs. Rouget
Allen Green
North Greenwich Preppie
Cab Driver
Sabina - Texas Deb
Cadet Frawley
A.T. Harris Salesman
Details
- Directed by
- Whit Stillman
- Written by
- Whit Stillman
- Type
- Movies
- Released
- 1989
- Runtime
- 99 min
- Country
- United States, Spain
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
