feeldb

A Chinese Ghost Story II

1990 · 102 min · Director: Siu-Tung Ching, Tony Ching Siu-Tung ★ IMDb 6.8 · 4,660 ratings

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A Chinese Ghost Story II Chinese ???? II??? is a 1990 Hong Kong romantic comedy-horror film directed by Ching Siu-tung and produced by Tsui Hark. It is the sequel to A Chinese Ghost Story and is followed by A Chinese Ghost Story III.

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Emotional fingerprint

A Chinese Ghost Story II (1990) — Movie. Top emotional signals: Excitement 30%, Humor 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

25%Humor
20%Fear
  1. Humor25%
  2. Fear20%
  3. Love15%
  4. Awe10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Excitement, Humor, Fear. Genres: Comedy, Fantasy, Action. AI estimate.

Is it worth watching?

Consider this title if you are looking for Excitement, Humor and Fear. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.

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Emotional journey

AI · from subtitles
  • Tension
  • Humor
  • Fear

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Sadness

Dominant emotion: Humor

Dominant emotion: Tension

Dominant emotion: Love

Tension
Humor
Fear
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 13 %, then peaks around 88 %, then dips around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionHumorFear
2.5 %≈ 3′Sadness67 %33 %15 %23 %
7.5 %≈ 8′Humor61 %44 %29 %28 %
12.5 %≈ 13′Tension58 %49 %38 %31 %
17.5 %≈ 18′Humor60 %43 %50 %29 %
22.5 %≈ 23′Humor64 %38 %61 %25 %
27.5 %≈ 28′Humor68 %48 %61 %33 %
32.5 %≈ 33′Tension71 %63 %56 %41 %
37.5 %≈ 38′Tension68 %64 %45 %38 %
42.5 %≈ 43′Tension61 %48 %41 %23 %
47.5 %≈ 48′Love63 %36 %48 %13 %
52.5 %≈ 54′Love69 %54 %45 %29 %
57.5 %≈ 59′Tension68 %64 %38 %41 %
62.5 %≈ 64′Humor63 %57 %29 %38 %
67.5 %≈ 69′Tension71 %54 %19 %39 %
72.5 %≈ 74′Sadness78 %44 %18 %32 %
77.5 %≈ 79′Love76 %54 %18 %40 %
82.5 %≈ 84′Tension81 %76 %18 %61 %
87.5 %≈ 89′Tension85 %83 %25 %65 %
92.5 %≈ 94′Tension79 %66 %26 %49 %
97.5 %≈ 99′Sadness68 %38 %22 %25 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

JW
Joey Wong

Windy Fu Ching Fung

Wu Ma

Swordsman Yan

Waise Lee Chi-Hung

Swordsman Hu

MR
Michele Reis

Moon Fu Yuet Chi

Lau Shun

Imperial High Priest

Lau Siu-Ming

Lord Fu Tin Chau

KF
Ku Feng

Elder Chu

LS
Lau Siu-Hung

High Priest's Disciple

WY
Wong Yue-Chun

High Priest's Disciple

DS
Do Siu-Chun

One of Windy's Men

LF
Lee Fai

High Priest's Disciple

JK
Johnny Koo Kwok-Wah

Robber Chef at Inn

OS
Ou-Yang Sha-Fei

YC
Yeung Ching-Ching

High Priest's Disciple

NW
Ng Wai-Ming

Details

Written by
Kee-To Lam, Tai-Mok Lau, Kan Keito, Edward Leung Yiu-Ming, Lau Tai-Muk, Jason Lam Kee-To
Type
Movies
Released
1990
Runtime
102 min
Country
Hong Kong
Ratings
★ IMDb 6.8 · 4,660 ratings
Feels mostly
Excitement
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.