God of Gamblers Part III: Back to Shanghai
1991 · 116 min · Director: Jing Wong, Wong Jing
Show plot summary (may contain spoilers)
This film focuses on the disciple of the God of Gamblers, Chow Sing Cho, also known as the "Saint of Gamblers". A group of people with telekinetic powers matching his attack him and his uncle, accidentally sending him to the year 1937, in Shanghai. This is a year crucial in Sing's family history, and he must use his powers play a part that has irrevocable effects on his present and future, while trying to find a way back to home, the year 1991.
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Emotional fingerprint
God of Gamblers Part III: Back to Shanghai (1991) — Movie. Top emotional signals: Humor 34%, Excitement 25%, Surprise 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor34%
- Excitement25%
- Surprise18%
- Nostalgia13%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Surprise. Genres: Comedy, Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Surprise. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 57 % | 53 % | 32 % | 40 % |
| 7.5 % | ≈ 9′ | Humor | 60 % | 53 % | 38 % | 45 % |
| 12.5 % | ≈ 15′ | Humor | 63 % | 53 % | 40 % | 51 % |
| 17.5 % | ≈ 20′ | Curiosity | 61 % | 54 % | 34 % | 55 % |
| 22.5 % | ≈ 26′ | Humor | 57 % | 55 % | 30 % | 50 % |
| 27.5 % | ≈ 32′ | Humor | 56 % | 51 % | 36 % | 43 % |
| 32.5 % | ≈ 38′ | Tension | 60 % | 51 % | 41 % | 36 % |
| 37.5 % | ≈ 44′ | Humor | 63 % | 54 % | 41 % | 34 % |
| 42.5 % | ≈ 49′ | Tension | 63 % | 49 % | 45 % | 35 % |
| 47.5 % | ≈ 55′ | Humor | 61 % | 50 % | 34 % | 30 % |
| 52.5 % | ≈ 61′ | Humor | 59 % | 55 % | 23 % | 29 % |
| 57.5 % | ≈ 67′ | Humor | 59 % | 50 % | 39 % | 39 % |
| 62.5 % | ≈ 73′ | Tension | 65 % | 39 % | 60 % | 43 % |
| 67.5 % | ≈ 78′ | Tension | 70 % | 30 % | 68 % | 39 % |
| 72.5 % | ≈ 84′ | Tension | 66 % | 36 % | 63 % | 39 % |
| 77.5 % | ≈ 90′ | Humor | 63 % | 51 % | 56 % | 38 % |
| 82.5 % | ≈ 96′ | Humor | 66 % | 51 % | 61 % | 36 % |
| 87.5 % | ≈ 102′ | Tension | 74 % | 41 % | 73 % | 41 % |
| 92.5 % | ≈ 107′ | Tension | 79 % | 34 % | 69 % | 38 % |
| 97.5 % | ≈ 113′ | Sadness | 80 % | 27 % | 53 % | 25 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Lung Ng
Wong Kam Kwai
Japanese VIP
Ching
Japanese Soldier
Details
- Written by
- Corey Yuen, Jing Wong, Jeffrey Lau, Wong Jing
- Type
- Movies
- Released
- 1991
- Runtime
- 116 min
- Country
- Hong Kong
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





