Madonna: Truth or Dare
1991 · 119 min · Director: Alek Keshishian
Show plot summary (may contain spoilers)
From the rain of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the music performer, from a prayer circle with the dancers before each performance to bed games with the dance troupe afterwards.
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Emotional fingerprint
Madonna: Truth or Dare (1991) — Movie. Top emotional signals: Excitement 32%, Awe 22%, Inspiration 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement32%
- Awe22%
- Inspiration18%
- Humor12%
- Nostalgia10%
- Surprise6%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Awe, Inspiration. Genres: Documentary, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Awe and Inspiration. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Joy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Joy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Joy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 43 % | 28 % | 22 % | 15 % |
| 7.5 % | ≈ 9′ | Joy | 46 % | 30 % | 33 % | 13 % |
| 12.5 % | ≈ 15′ | Humor | 48 % | 31 % | 30 % | 18 % |
| 17.5 % | ≈ 21′ | Tension | 48 % | 30 % | 20 % | 19 % |
| 22.5 % | ≈ 27′ | Humor | 51 % | 34 % | 21 % | 9 % |
| 27.5 % | ≈ 33′ | Tension | 56 % | 30 % | 29 % | 5 % |
| 32.5 % | ≈ 39′ | Joy | 56 % | 26 % | 38 % | 9 % |
| 37.5 % | ≈ 45′ | Joy | 53 % | 35 % | 36 % | 13 % |
| 42.5 % | ≈ 51′ | Humor | 54 % | 31 % | 20 % | 33 % |
| 47.5 % | ≈ 57′ | Sadness | 60 % | 23 % | 11 % | 53 % |
| 52.5 % | ≈ 62′ | Empathy | 60 % | 23 % | 13 % | 49 % |
| 57.5 % | ≈ 68′ | Empathy | 63 % | 23 % | 25 % | 34 % |
| 62.5 % | ≈ 74′ | Joy | 66 % | 34 % | 45 % | 16 % |
| 67.5 % | ≈ 80′ | Humor | 59 % | 46 % | 39 % | 15 % |
| 72.5 % | ≈ 86′ | Humor | 51 % | 45 % | 19 % | 25 % |
| 77.5 % | ≈ 92′ | Humor | 55 % | 45 % | 25 % | 23 % |
| 82.5 % | ≈ 98′ | Joy | 64 % | 52 % | 41 % | 11 % |
| 87.5 % | ≈ 104′ | Humor | 66 % | 57 % | 44 % | 5 % |
| 92.5 % | ≈ 110′ | Joy | 63 % | 49 % | 46 % | 13 % |
| 97.5 % | ≈ 116′ | Joy | 60 % | 38 % | 48 % | 23 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Details
- Directed by
- Alek Keshishian
- Type
- Movies
- Released
- 1991
- Runtime
- 119 min
- Country
- United States
- Genres
- Documentary, Music
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





