The Rapture
1991 · 100 min · Director: Michael Tolkin
Show plot summary (may contain spoilers)
This is the story of a young woman (who lives in Los Angeles) with a very boring job. At night however, she and a male partner cruise the bars as swingers. After a time, she begins to believe that a conspiracy exists and decides that she must become a born-again Christian. The movie presents an interesting view of how even the most unlikely person might become born-again.
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Emotional fingerprint
The Rapture (1991) — Movie. Top emotional signals: Anxiety 25%, Confusion 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Confusion, Sadness. Genres: Thriller, Drama, Mystery. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Confusion and Sadness. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 24 % | 7 % | 7 % | 4 % |
| 7.5 % | ≈ 8′ | Curiosity | 33 % | 15 % | 15 % | 11 % |
| 12.5 % | ≈ 13′ | Curiosity | 43 % | 25 % | 26 % | 17 % |
| 17.5 % | ≈ 18′ | Curiosity | 45 % | 19 % | 25 % | 22 % |
| 22.5 % | ≈ 23′ | Curiosity | 48 % | 17 % | 25 % | 27 % |
| 27.5 % | ≈ 28′ | Tension | 53 % | 27 % | 34 % | 31 % |
| 32.5 % | ≈ 33′ | Tension | 54 % | 26 % | 36 % | 30 % |
| 37.5 % | ≈ 38′ | Curiosity | 48 % | 15 % | 29 % | 25 % |
| 42.5 % | ≈ 43′ | Curiosity | 44 % | 12 % | 29 % | 24 % |
| 47.5 % | ≈ 48′ | Curiosity | 52 % | 26 % | 40 % | 32 % |
| 52.5 % | ≈ 53′ | Sadness | 65 % | 48 % | 55 % | 44 % |
| 57.5 % | ≈ 58′ | Empathy | 71 % | 60 % | 65 % | 50 % |
| 62.5 % | ≈ 63′ | Sadness | 76 % | 66 % | 75 % | 54 % |
| 67.5 % | ≈ 68′ | Empathy | 77 % | 63 % | 77 % | 54 % |
| 72.5 % | ≈ 73′ | Empathy | 81 % | 66 % | 79 % | 64 % |
| 77.5 % | ≈ 78′ | Sadness | 91 % | 82 % | 84 % | 85 % |
| 82.5 % | ≈ 83′ | Sadness | 94 % | 85 % | 79 % | 91 % |
| 87.5 % | ≈ 88′ | Disturbing | 89 % | 73 % | 70 % | 82 % |
| 92.5 % | ≈ 93′ | Tension | 90 % | 74 % | 74 % | 80 % |
| 97.5 % | ≈ 98′ | Sadness | 93 % | 86 % | 81 % | 85 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Mary
Maggie
Diana
Wayne
2nd Evangelist
Conrad
Bartender
Executive
Details
- Directed by
- Michael Tolkin
- Written by
- Michael Tolkin
- Type
- Movies
- Released
- 1991
- Runtime
- 100 min
- Country
- United States
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





