The Rocketeer
1991 · 108 min · Director: Joe Johnston
Show plot summary (may contain spoilers)
Straight from the pages of a pulp comic from a past era, the Rocketeer recreates 1930's Hollywood, complete with gangsters, Nazi spies, and the growth of the Age of Aviation. Young pilot Cliff Secord stumbles on a top secret rocket-pack and with the help of his mechanic/mentor, Peevy, he attempts to save his girl and stop the Nazis as The Rocketeer.
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Emotional fingerprint
The Rocketeer (1991) — Movie. Top emotional signals: Excitement 32%, Awe 22%, Humor 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement32%
- Awe22%
- Humor18%
- Love15%
- Anticipation13%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Awe, Humor. Genres: Adventure, Action, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Awe and Humor. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Excitement
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Excitement
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Excitement | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Excitement | 58 % | 52 % | 48 % | 32 % |
| 7.5 % | ≈ 8′ | Tension | 60 % | 54 % | 40 % | 45 % |
| 12.5 % | ≈ 14′ | Curiosity | 57 % | 48 % | 31 % | 56 % |
| 17.5 % | ≈ 19′ | Curiosity | 54 % | 44 % | 29 % | 50 % |
| 22.5 % | ≈ 24′ | Humor | 49 % | 39 % | 20 % | 34 % |
| 27.5 % | ≈ 30′ | Humor | 44 % | 29 % | 13 % | 23 % |
| 32.5 % | ≈ 35′ | Humor | 53 % | 39 % | 28 % | 24 % |
| 37.5 % | ≈ 41′ | Excitement | 69 % | 57 % | 55 % | 34 % |
| 42.5 % | ≈ 46′ | Excitement | 71 % | 60 % | 60 % | 44 % |
| 47.5 % | ≈ 51′ | Tension | 66 % | 61 % | 43 % | 44 % |
| 52.5 % | ≈ 57′ | Tension | 61 % | 59 % | 30 % | 34 % |
| 57.5 % | ≈ 62′ | Tension | 55 % | 49 % | 31 % | 25 % |
| 62.5 % | ≈ 68′ | Tension | 59 % | 54 % | 34 % | 25 % |
| 67.5 % | ≈ 73′ | Tension | 69 % | 66 % | 31 % | 35 % |
| 72.5 % | ≈ 78′ | Tension | 71 % | 69 % | 31 % | 48 % |
| 77.5 % | ≈ 84′ | Tension | 74 % | 73 % | 41 % | 44 % |
| 82.5 % | ≈ 89′ | Tension | 83 % | 83 % | 60 % | 28 % |
| 87.5 % | ≈ 95′ | Tension | 88 % | 86 % | 69 % | 19 % |
| 92.5 % | ≈ 100′ | Relief | 81 % | 64 % | 57 % | 16 % |
| 97.5 % | ≈ 105′ | Relief | 72 % | 30 % | 42 % | 15 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Lothar / Good Old Boy
Rusty
Wilmer
Mike
Charlie
Assistant Director
Details
- Directed by
- Joe Johnston
- Written by
- Danny Bilson, Paul De Meo, Dave Stevens, William Dear
- Type
- Movies
- Released
- 1991
- Runtime
- 108 min
- Country
- United States
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





