Leap of Faith
1992 · 108 min · Director: Richard Pearce
Show plot summary (may contain spoilers)
Jonas is a fraudulent faith healer, who uses all the tricks in the book to con the people attending his shows. Jonas and his team of helpers, including Jane who is in need of some romance, travel the country stopping at big towns and cities to put on their show. When one of the trucks breaks down in a small town, Jonas is quick to accept the challenge of making money in this town. His other goal is to seduce Marva, a waitress in the town, but she's a hard nut to crack, as is Will, the local sheriff who's determined to expose Jonas as a fraud.
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Emotional fingerprint
Leap of Faith (1992) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Empathy25%
- Love20%
- Guilt15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Love. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Hope
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Hope
Dominant emotion: Curiosity
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Hope | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 50 % | 30 % | 3 % | 28 % |
| 7.5 % | ≈ 8′ | Sadness | 44 % | 26 % | 9 % | 30 % |
| 12.5 % | ≈ 14′ | Humor | 41 % | 30 % | 19 % | 30 % |
| 17.5 % | ≈ 19′ | Hope | 44 % | 33 % | 25 % | 29 % |
| 22.5 % | ≈ 24′ | Humor | 45 % | 30 % | 23 % | 36 % |
| 27.5 % | ≈ 30′ | Humor | 46 % | 35 % | 24 % | 43 % |
| 32.5 % | ≈ 35′ | Humor | 48 % | 38 % | 28 % | 41 % |
| 37.5 % | ≈ 41′ | Humor | 46 % | 35 % | 28 % | 36 % |
| 42.5 % | ≈ 46′ | Curiosity | 50 % | 35 % | 25 % | 27 % |
| 47.5 % | ≈ 51′ | Sadness | 55 % | 34 % | 25 % | 21 % |
| 52.5 % | ≈ 57′ | Hope | 55 % | 38 % | 30 % | 20 % |
| 57.5 % | ≈ 62′ | Tension | 56 % | 44 % | 28 % | 23 % |
| 62.5 % | ≈ 68′ | Curiosity | 56 % | 46 % | 25 % | 25 % |
| 67.5 % | ≈ 73′ | Sadness | 54 % | 49 % | 30 % | 23 % |
| 72.5 % | ≈ 78′ | Curiosity | 51 % | 46 % | 34 % | 24 % |
| 77.5 % | ≈ 84′ | Hope | 56 % | 48 % | 39 % | 25 % |
| 82.5 % | ≈ 89′ | Curiosity | 64 % | 51 % | 46 % | 18 % |
| 87.5 % | ≈ 95′ | Hope | 59 % | 40 % | 49 % | 10 % |
| 92.5 % | ≈ 100′ | Hope | 50 % | 28 % | 45 % | 7 % |
| 97.5 % | ≈ 105′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Ornella
Lucille
Ricky
Roger
Jerry Joe
Rafe
Details
- Directed by
- Richard Pearce
- Written by
- Janus Cercone
- Type
- Movies
- Released
- 1992
- Runtime
- 108 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





