Dragon Inn
1992 · 104 min · Director: Hark Tsui, Siu-Tung Ching, Raymond Lee, Raymond Lee Wai-Man
Show plot summary (may contain spoilers)
This big hit at the Sundance Film Festival had audiences cheering. Set during the Ming Dynasty, this acclaimed production tells the story of a power hungry eunuch who employs an evil sect in his quest to rule China. An extravagant climax features dizzying acrobatics and masterful fight sequences.
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Emotional fingerprint
Dragon Inn (1992) — Movie. Top emotional signals: Excitement 35%, Tension 25%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement35%
- Tension25%
- Awe20%
- Surprise10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Awe. Genres: Thriller, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Awe. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sympathy
- Excitement
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Excitement
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sympathy | Excitement |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 70 % | 68 % | 45 % | 18 % |
| 7.5 % | ≈ 8′ | Tension | 74 % | 71 % | 54 % | 24 % |
| 12.5 % | ≈ 13′ | Tension | 77 % | 74 % | 56 % | 41 % |
| 17.5 % | ≈ 18′ | Tension | 73 % | 66 % | 45 % | 46 % |
| 22.5 % | ≈ 23′ | Humor | 59 % | 45 % | 21 % | 28 % |
| 27.5 % | ≈ 29′ | Humor | 50 % | 29 % | 15 % | 14 % |
| 32.5 % | ≈ 34′ | Humor | 56 % | 32 % | 29 % | 16 % |
| 37.5 % | ≈ 39′ | Tension | 62 % | 51 % | 28 % | 23 % |
| 42.5 % | ≈ 44′ | Tension | 66 % | 65 % | 21 % | 26 % |
| 47.5 % | ≈ 49′ | Tension | 70 % | 69 % | 24 % | 31 % |
| 52.5 % | ≈ 55′ | Tension | 74 % | 72 % | 26 % | 40 % |
| 57.5 % | ≈ 60′ | Tension | 73 % | 71 % | 26 % | 41 % |
| 62.5 % | ≈ 65′ | Tension | 65 % | 59 % | 23 % | 31 % |
| 67.5 % | ≈ 70′ | Humor | 64 % | 54 % | 24 % | 29 % |
| 72.5 % | ≈ 75′ | Tension | 73 % | 66 % | 26 % | 41 % |
| 77.5 % | ≈ 81′ | Tension | 79 % | 76 % | 34 % | 54 % |
| 82.5 % | ≈ 86′ | Tension | 80 % | 75 % | 53 % | 56 % |
| 87.5 % | ≈ 91′ | Sympathy | 83 % | 76 % | 66 % | 63 % |
| 92.5 % | ≈ 96′ | Excitement | 84 % | 69 % | 69 % | 61 % |
| 97.5 % | ≈ 101′ | Sadness | 77 % | 47 % | 65 % | 42 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Details
- Directed by
- Hark Tsui, Siu-Tung Ching, Raymond Lee, Raymond Lee Wai-Man
- Written by
- Hark Tsui, Tan Cheung, Xiaohe Lü, Tsui Hark, Charcoal Tan
- Type
- Movies
- Released
- 1992
- Runtime
- 104 min
- Country
- Hong Kong
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





