Baby's Day Out
1994 · 99 min · Director: Patrick Read Johnson
Show plot summary (may contain spoilers)
Baby Bink couldn't ask for more; he has adoring (if somewhat sickly-sweet) parents, he lives in a huge mansion, and he's just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink's parents; especially the three enterprising kidnappers who pretend to be photographers from the newspaper. Successfully kidnapping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.
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Emotional fingerprint
Baby's Day Out (1994) — Movie. Top emotional signals: Humor 35%, Joy 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Surprise. Genres: Comedy, Crime, Adventure. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Surprise. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Relief
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Relief | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 35 % | 33 % | 0 % | 10 % |
| 7.5 % | ≈ 7′ | Humor | 41 % | 38 % | 0 % | 20 % |
| 12.5 % | ≈ 12′ | Humor | 49 % | 44 % | 0 % | 27 % |
| 17.5 % | ≈ 17′ | Humor | 51 % | 48 % | 0 % | 25 % |
| 22.5 % | ≈ 22′ | Humor | 53 % | 48 % | 3 % | 34 % |
| 27.5 % | ≈ 27′ | Tension | 62 % | 51 % | 5 % | 51 % |
| 32.5 % | ≈ 32′ | Humor | 61 % | 51 % | 3 % | 51 % |
| 37.5 % | ≈ 37′ | Humor | 55 % | 43 % | 0 % | 45 % |
| 42.5 % | ≈ 42′ | Sympathy | 59 % | 41 % | 3 % | 48 % |
| 47.5 % | ≈ 47′ | Humor | 64 % | 51 % | 6 % | 50 % |
| 52.5 % | ≈ 52′ | Humor | 63 % | 56 % | 6 % | 48 % |
| 57.5 % | ≈ 57′ | Humor | 63 % | 57 % | 5 % | 43 % |
| 62.5 % | ≈ 62′ | Humor | 68 % | 53 % | 4 % | 38 % |
| 67.5 % | ≈ 67′ | Sympathy | 71 % | 40 % | 1 % | 43 % |
| 72.5 % | ≈ 72′ | Tension | 71 % | 45 % | 4 % | 56 % |
| 77.5 % | ≈ 77′ | Humor | 69 % | 57 % | 13 % | 55 % |
| 82.5 % | ≈ 82′ | Humor | 69 % | 52 % | 33 % | 39 % |
| 87.5 % | ≈ 87′ | Relief | 74 % | 45 % | 59 % | 24 % |
| 92.5 % | ≈ 92′ | Relief | 75 % | 50 % | 68 % | 17 % |
| 97.5 % | ≈ 97′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Baby Bink
Baby Bink
Sally
FBI Agent
Old Soldier #1
Old Soldier #2
Old Soldier #3
Old Soldier #4
Old Soldier #5
Bus Driver
Big Woman
Details
- Directed by
- Patrick Read Johnson
- Written by
- John Hughes
- Type
- Movies
- Released
- 1994
- Runtime
- 99 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





