Rendez-vous in Paris
1995 · 98 min · Director: Éric Rohmer
Show plot summary (may contain spoilers)
Different stories of young women and men coming together and coming apart in Paris' romantic settings, are organized in four distinct chapters: (1) Le rendez-vous de 7 heures / The 7 p.m. rendezvous; (2) Le lendemain... / The next morning; (3) Les bancs de Paris / The seats of Paris' parcs; (4) Mère et Enfant, 1907 / Mother and Child, 1907.
Emotional fingerprint
Rendez-vous in Paris (1995) — Movie. Top emotional signals: Love 30%, Confusion 24%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Confusion24%
- Nostalgia20%
- Humor14%
- Melancholy12%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Confusion, Nostalgia. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Confusion and Nostalgia. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Humor
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Humor | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 37 % | 33 % | 12 % | 10 % |
| 7.5 % | ≈ 7′ | Sadness | 38 % | 32 % | 11 % | 11 % |
| 12.5 % | ≈ 12′ | Curiosity | 38 % | 35 % | 18 % | 13 % |
| 17.5 % | ≈ 17′ | Curiosity | 41 % | 40 % | 29 % | 13 % |
| 22.5 % | ≈ 22′ | Humor | 45 % | 40 % | 39 % | 14 % |
| 27.5 % | ≈ 27′ | Humor | 43 % | 33 % | 38 % | 19 % |
| 32.5 % | ≈ 32′ | Love | 39 % | 26 % | 29 % | 25 % |
| 37.5 % | ≈ 37′ | Love | 36 % | 24 % | 26 % | 28 % |
| 42.5 % | ≈ 42′ | Love | 39 % | 24 % | 25 % | 33 % |
| 47.5 % | ≈ 47′ | Love | 44 % | 29 % | 20 % | 38 % |
| 52.5 % | ≈ 51′ | Love | 46 % | 33 % | 20 % | 29 % |
| 57.5 % | ≈ 56′ | Sadness | 45 % | 30 % | 20 % | 13 % |
| 62.5 % | ≈ 61′ | Sadness | 36 % | 26 % | 18 % | 3 % |
| 67.5 % | ≈ 66′ | Humor | 31 % | 28 % | 20 % | 0 % |
| 72.5 % | ≈ 71′ | Curiosity | 35 % | 32 % | 24 % | 3 % |
| 77.5 % | ≈ 76′ | Curiosity | 36 % | 34 % | 25 % | 9 % |
| 82.5 % | ≈ 81′ | Curiosity | 36 % | 32 % | 28 % | 13 % |
| 87.5 % | ≈ 86′ | Humor | 41 % | 30 % | 35 % | 10 % |
| 92.5 % | ≈ 91′ | Humor | 45 % | 25 % | 40 % | 7 % |
| 97.5 % | ≈ 96′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Rendez-vous in Paris. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Aricie
Félix
Hermione
le garçon de café
elle
lui
le peintre
la jeune femme
la Suédoise
Mouffetard
Musette
Details
- Directed by
- Éric Rohmer
- Written by
- Éric Rohmer
- Type
- Movies
- Released
- 1995
- Runtime
- 98 min
- Country
- France
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
