To Die For
1995 · 106 min · Director: Gus Van Sant
Show plot summary (may contain spoilers)
Suzanne Stone (Kidman) knows exactly what she wants. She wants to be a television newscaster and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Emotional fingerprint
To Die For (1995) — Movie. Top emotional signals: Humor 30%, Anxiety 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Anxiety25%
- Disturbing20%
- Surprise15%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Anxiety, Disturbing. Genres: Comedy, Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Anxiety and Disturbing. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Curiosity
- Humor
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Humor | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 35 % | 32 % | 18 % | 5 % |
| 7.5 % | ≈ 8′ | Humor | 36 % | 26 % | 30 % | 5 % |
| 12.5 % | ≈ 13′ | Humor | 39 % | 20 % | 39 % | 4 % |
| 17.5 % | ≈ 19′ | Humor | 40 % | 19 % | 40 % | 4 % |
| 22.5 % | ≈ 24′ | Humor | 39 % | 23 % | 38 % | 6 % |
| 27.5 % | ≈ 29′ | Humor | 35 % | 23 % | 31 % | 9 % |
| 32.5 % | ≈ 34′ | Humor | 32 % | 19 % | 29 % | 13 % |
| 37.5 % | ≈ 40′ | Humor | 36 % | 20 % | 29 % | 21 % |
| 42.5 % | ≈ 45′ | Disturbing | 41 % | 24 % | 26 % | 29 % |
| 47.5 % | ≈ 50′ | Humor | 43 % | 26 % | 23 % | 29 % |
| 52.5 % | ≈ 56′ | Sadness | 41 % | 28 % | 15 % | 29 % |
| 57.5 % | ≈ 61′ | Curiosity | 40 % | 29 % | 11 % | 30 % |
| 62.5 % | ≈ 66′ | Curiosity | 45 % | 34 % | 11 % | 32 % |
| 67.5 % | ≈ 72′ | Tension | 50 % | 39 % | 8 % | 32 % |
| 72.5 % | ≈ 77′ | Curiosity | 49 % | 38 % | 9 % | 29 % |
| 77.5 % | ≈ 82′ | Sadness | 53 % | 35 % | 14 % | 36 % |
| 82.5 % | ≈ 87′ | Disturbing | 59 % | 36 % | 15 % | 49 % |
| 87.5 % | ≈ 93′ | Disturbing | 56 % | 39 % | 15 % | 46 % |
| 92.5 % | ≈ 98′ | Sadness | 50 % | 36 % | 20 % | 35 % |
| 97.5 % | ≈ 103′ | Humor | 47 % | 28 % | 30 % | 28 % |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about To Die For. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Angela Maretto
Fisherman
Fisherman
Sexy Woman
Details
- Directed by
- Gus Van Sant
- Written by
- Joyce Maynard, Buck Henry
- Type
- Movies
- Released
- 1995
- Runtime
- 106 min
- Country
- United Kingdom, Canada, United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Subscription
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
