Evita
1996 · 135 min · Director: Alan Parker
Show plot summary (may contain spoilers)
High-flying, adored! The film adaptation of the hit Broadway musical depicting the infamous real-life story of Eva "Evita" Duarte de Peron, the wife of President Juan Peron, who rose from poverty to become the most famous Argentine woman in history. Her huge political influence and constant charity works earned her scorn and fear from the military and upper classes but adoration and love from the workers and descamisados. Evita's legendary life is displayed before your eyes as the most hated and most beloved woman in Argentina.
Emotional fingerprint
Evita (1996) — Movie. Top emotional signals: Awe 30%, Sadness 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Awe30%
- Sadness25%
- Inspiration20%
- Love15%
- Melancholy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Sadness, Inspiration. Genres: Drama, History, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Sadness and Inspiration. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Excitement
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion: Excitement
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Excitement |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 68 % | 63 % | 56 % | 3 % |
| 7.5 % | ≈ 10′ | Sadness | 60 % | 53 % | 43 % | 13 % |
| 12.5 % | ≈ 17′ | Hope | 52 % | 34 % | 31 % | 31 % |
| 17.5 % | ≈ 24′ | Excitement | 53 % | 30 % | 33 % | 38 % |
| 22.5 % | ≈ 30′ | Sadness | 55 % | 35 % | 34 % | 28 % |
| 27.5 % | ≈ 37′ | Tension | 53 % | 23 % | 22 % | 26 % |
| 32.5 % | ≈ 44′ | Excitement | 48 % | 16 % | 19 % | 28 % |
| 37.5 % | ≈ 51′ | Sadness | 51 % | 20 % | 28 % | 23 % |
| 42.5 % | ≈ 57′ | Tension | 60 % | 14 % | 24 % | 30 % |
| 47.5 % | ≈ 64′ | Excitement | 63 % | 8 % | 18 % | 44 % |
| 52.5 % | ≈ 71′ | Excitement | 58 % | 11 % | 22 % | 48 % |
| 57.5 % | ≈ 78′ | Hope | 52 % | 14 % | 26 % | 43 % |
| 62.5 % | ≈ 84′ | Excitement | 48 % | 16 % | 23 % | 34 % |
| 67.5 % | ≈ 91′ | Tension | 44 % | 17 % | 22 % | 25 % |
| 72.5 % | ≈ 98′ | Hope | 46 % | 16 % | 24 % | 21 % |
| 77.5 % | ≈ 105′ | Tension | 53 % | 24 % | 32 % | 13 % |
| 82.5 % | ≈ 111′ | Sadness | 61 % | 45 % | 47 % | 6 % |
| 87.5 % | ≈ 118′ | Sadness | 72 % | 65 % | 62 % | 5 % |
| 92.5 % | ≈ 125′ | Sadness | 79 % | 75 % | 65 % | 3 % |
| 97.5 % | ≈ 132′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Doña Juana
Brother Juan
Elisa
Erminda
Young Eva
Cipriano Reyes
Perón's Mistress
Juan Bramuglia
Julieta
Cinema Manager
Young Juan
Young Blanca
Young Elisa
Details
- Directed by
- Alan Parker
- Written by
- Oliver Stone, Alan Parker, Tim Rice
- Type
- Movies
- Released
- 1996
- Runtime
- 135 min
- Country
- United States
- Ratings
- Feels mostly
- Awe
- Data updated
Where to watch
Rent
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