The Jackal
1997 · 124 min · Director: Michael Caton-Jones
Show plot summary (may contain spoilers)
In Moscow, the FBI and their Russian counterpart, the MVD, are working on a joint mission to apprehend Russian mobster Ghazzi Murad specifically for the murder of Mayor Nikolai Semankho. During the arrest, they are forced to kill Ghazzi. Ghazzi's brother, Terek Murad, also a mobster, begins his own form of deadly retribution against the MVD for Ghazzi's death. But the FBI and MVD also get wind that Terek has hired an assassin by the code name Jackal to carry out a hit on a high profile but unknown American target for the Americans sticking their nose in Russian affairs. Intelligence points to that target being Donald Brown, the Director of the FBI. The Jackal is known only by name and reputation but no one in authority knows who he is, what he looks like or if he even really exists. They learn of only one person alive who they know has had ties to the Jackal: former Basque separatist Isabella Zanconia, whose whereabouts are unknown. As such, the FBI and MVD decide to turn to the one person they know who has had ties to Isabella: Declan Mulqueen, who is currently in an American prison serving twenty-five years for his deadly IRA activities. To their surprise, Declan purports to have met the Jackal. Although they are unable to meet all his demands including not being able to guarantee his release and return back to Ireland after all is said and done, Declan agrees to help them on the promise that they will do their best to meet that request. What happens is largely a function of Declan's relationship with his two handlers, the MVD's Major Valentina Koslova and FBI Deputy Director Carter Preston, the latter in particular who does not fully trust Declan. It is also affected by the nature of the history between Declan, Isabella and the Jackal. Through it all, Declan may, if given the opportunity, do what Carter believes he will do, which is run without keeping to his side of the bargain.
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Emotional fingerprint
The Jackal (1997) — Movie. Top emotional signals: Tension 35%, Anxiety 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension35%
- Anxiety25%
- Excitement20%
- Fear10%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Excitement. Genres: Drama, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Excitement. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
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Emotional journey
- Tension
- Fear
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 50 % | 45 % | 25 % | 42 % |
| 7.5 % | ≈ 9′ | Tension | 59 % | 53 % | 33 % | 48 % |
| 12.5 % | ≈ 16′ | Curiosity | 59 % | 50 % | 29 % | 57 % |
| 17.5 % | ≈ 22′ | Curiosity | 53 % | 43 % | 20 % | 59 % |
| 22.5 % | ≈ 28′ | Curiosity | 46 % | 36 % | 16 % | 49 % |
| 27.5 % | ≈ 34′ | Curiosity | 43 % | 35 % | 18 % | 41 % |
| 32.5 % | ≈ 40′ | Tension | 44 % | 40 % | 21 % | 41 % |
| 37.5 % | ≈ 47′ | Curiosity | 48 % | 44 % | 25 % | 45 % |
| 42.5 % | ≈ 53′ | Curiosity | 57 % | 54 % | 38 % | 44 % |
| 47.5 % | ≈ 59′ | Tension | 65 % | 63 % | 45 % | 41 % |
| 52.5 % | ≈ 65′ | Curiosity | 63 % | 59 % | 36 % | 44 % |
| 57.5 % | ≈ 71′ | Tension | 61 % | 56 % | 31 % | 44 % |
| 62.5 % | ≈ 78′ | Tension | 68 % | 64 % | 43 % | 40 % |
| 67.5 % | ≈ 84′ | Tension | 74 % | 70 % | 54 % | 33 % |
| 72.5 % | ≈ 90′ | Sadness | 74 % | 69 % | 50 % | 30 % |
| 77.5 % | ≈ 96′ | Tension | 78 % | 75 % | 51 % | 29 % |
| 82.5 % | ≈ 102′ | Tension | 85 % | 85 % | 64 % | 20 % |
| 87.5 % | ≈ 109′ | Tension | 88 % | 85 % | 71 % | 14 % |
| 92.5 % | ≈ 115′ | Relief | 81 % | 63 % | 53 % | 13 % |
| 97.5 % | ≈ 121′ | Relief | 72 % | 32 % | 22 % | 13 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Speaker
George Decker
Details
- Directed by
- Michael Caton-Jones
- Written by
- Chuck Pfarrer, Kenneth Ross
- Type
- Movies
- Released
- 1997
- Runtime
- 124 min
- Country
- United Kingdom, France, Germany, Japan, United States
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Rent
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