Drive Me Crazy
1999 · 91 min · Director: John Schultz
Show plot summary (may contain spoilers)
Nicole (Melissa Joan Hart) and Chase (Adrian Grenier) are neighbors but are from two very different worlds. Despite their differences their love lives have a common theme. Their most recent plans for love have fallen through putting them both in a desperate state to fix them. Both Nicole and Chase conspire to pretend to find a romantic interest in each other, with the hopes of attracting the "ones who got away" from them. Leading up to the big school dance, Chase and Nicole find that their scam worked out better than they had planned.
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Emotional fingerprint
Drive Me Crazy (1999) — Movie. Top emotional signals: Love 30%, Humor 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Humor25%
- Excitement20%
- Anxiety15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Humor, Excitement. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Humor and Excitement. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Joy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Joy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 35 % | 32 % | 20 % | 10 % |
| 7.5 % | ≈ 7′ | Humor | 37 % | 33 % | 19 % | 8 % |
| 12.5 % | ≈ 11′ | Sadness | 39 % | 33 % | 16 % | 8 % |
| 17.5 % | ≈ 16′ | Humor | 40 % | 35 % | 12 % | 9 % |
| 22.5 % | ≈ 20′ | Humor | 39 % | 34 % | 11 % | 9 % |
| 27.5 % | ≈ 25′ | Humor | 37 % | 31 % | 16 % | 12 % |
| 32.5 % | ≈ 30′ | Humor | 40 % | 35 % | 23 % | 14 % |
| 37.5 % | ≈ 34′ | Humor | 42 % | 38 % | 27 % | 16 % |
| 42.5 % | ≈ 39′ | Humor | 40 % | 37 % | 24 % | 18 % |
| 47.5 % | ≈ 43′ | Humor | 36 % | 33 % | 21 % | 18 % |
| 52.5 % | ≈ 48′ | Humor | 38 % | 32 % | 18 % | 18 % |
| 57.5 % | ≈ 52′ | Sadness | 45 % | 29 % | 14 % | 21 % |
| 62.5 % | ≈ 57′ | Sadness | 49 % | 27 % | 12 % | 24 % |
| 67.5 % | ≈ 61′ | Love | 50 % | 25 % | 9 % | 22 % |
| 72.5 % | ≈ 66′ | Tension | 53 % | 18 % | 6 % | 14 % |
| 77.5 % | ≈ 71′ | Sadness | 50 % | 16 % | 11 % | 14 % |
| 82.5 % | ≈ 75′ | Sadness | 45 % | 21 % | 25 % | 25 % |
| 87.5 % | ≈ 80′ | Love | 51 % | 25 % | 40 % | 43 % |
| 92.5 % | ≈ 84′ | Love | 55 % | 22 % | 45 % | 49 % |
| 97.5 % | ≈ 89′ | Joy | 49 % | 15 % | 42 % | 41 % |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Ray Neelay
Brad Seldon
Mr. Hammond
Chloe Frost
Sue
Tom
Big Fred
Student TV Director
Drena
Details
- Directed by
- John Schultz
- Written by
- Todd Strasser, Rob Thomas
- Type
- Movies
- Released
- 1999
- Runtime
- 91 min
- Country
- United States
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Rent
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





