The Last Days
1998 · 87 min · Director: James Moll
Show plot summary (may contain spoilers)
In late 1944, even as they faced imminent defeat, the Nazis expended enormous resources to kill or deport over 425,000 Jews during the "cleansing" of Hungary. This Oscar-winning documentary, executive produced by Steven Spielberg, focuses on the plight of five Hungarian Jews who survived imprisonment in Auschwitz. Though these survivors recount the horrors they witnessed and endured as a result of the Nazis' "Final Solution," their individual triumphs are a testament to hope and humanity.
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Emotional fingerprint
The Last Days (1998) — Movie. Top emotional signals: Sadness 35%, Empathy 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Empathy25%
- Melancholy20%
- Hope15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Melancholy. Genres: Documentary, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Melancholy. Its IMDb rating of 7.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Empathy | 45 % | 27 % | 33 % | 30 % |
| 7.5 % | ≈ 7′ | Disturbing | 59 % | 38 % | 43 % | 42 % |
| 12.5 % | ≈ 11′ | Tension | 73 % | 54 % | 60 % | 49 % |
| 17.5 % | ≈ 15′ | Sadness | 81 % | 64 % | 73 % | 57 % |
| 22.5 % | ≈ 20′ | Tension | 88 % | 69 % | 76 % | 68 % |
| 27.5 % | ≈ 24′ | Sadness | 89 % | 76 % | 80 % | 69 % |
| 32.5 % | ≈ 28′ | Empathy | 88 % | 79 % | 83 % | 73 % |
| 37.5 % | ≈ 33′ | Disturbing | 93 % | 81 % | 83 % | 87 % |
| 42.5 % | ≈ 37′ | Disturbing | 98 % | 86 % | 83 % | 97 % |
| 47.5 % | ≈ 41′ | Disturbing | 97 % | 88 % | 84 % | 95 % |
| 52.5 % | ≈ 46′ | Sadness | 96 % | 88 % | 85 % | 93 % |
| 57.5 % | ≈ 50′ | Sadness | 95 % | 85 % | 83 % | 91 % |
| 62.5 % | ≈ 54′ | Disturbing | 92 % | 81 % | 80 % | 83 % |
| 67.5 % | ≈ 59′ | Sadness | 89 % | 80 % | 81 % | 59 % |
| 72.5 % | ≈ 63′ | Sadness | 83 % | 73 % | 78 % | 31 % |
| 77.5 % | ≈ 67′ | Empathy | 79 % | 68 % | 75 % | 20 % |
| 82.5 % | ≈ 72′ | Sadness | 85 % | 71 % | 81 % | 18 % |
| 87.5 % | ≈ 76′ | Hope | 86 % | 68 % | 79 % | 26 % |
| 92.5 % | ≈ 80′ | Sadness | 82 % | 63 % | 70 % | 47 % |
| 97.5 % | ≈ 85′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self
Self (archive footage) (uncredited)
Self (archive footage) (uncredited)
Self (archive footage) (uncredited)
Self (archive footage) (uncredited)
Details
- Directed by
- James Moll
- Type
- Movies
- Released
- 1998
- Runtime
- 87 min
- Country
- United States
- Genres
- Documentary, War
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




