The Holy Innocents
1984 · 107 min · Director: Mario Camus
Show plot summary (may contain spoilers)
In 60s Extremadura, Paco el Bajo and his relatives work during day in a farmhouse, and silently suffer submission to their masters, who exploit them and treat them almost like animals. Meanwhile, Paco dreams that one day his children will be able to study.
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Emotional fingerprint
The Holy Innocents (1984) — Movie. Top emotional signals: Sadness 40%, Empathy 30%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness40%
- Empathy30%
- Melancholy20%
- Hope5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Melancholy. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Melancholy. Its IMDb rating of 8.1/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 77/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sympathy
- Anger
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Sympathy
Dominant emotion: Sadness
Dominant emotion: Anger
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Anger | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 7.5 % | ≈ 8′ | Hope | 48 % | 38 % | 10 % | 23 % |
| 12.5 % | ≈ 13′ | Sympathy | 50 % | 45 % | 20 % | 31 % |
| 17.5 % | ≈ 19′ | Sympathy | 54 % | 50 % | 32 % | 39 % |
| 22.5 % | ≈ 24′ | Sympathy | 64 % | 60 % | 50 % | 48 % |
| 27.5 % | ≈ 29′ | Sympathy | 66 % | 64 % | 49 % | 53 % |
| 32.5 % | ≈ 35′ | Sadness | 55 % | 51 % | 30 % | 44 % |
| 37.5 % | ≈ 40′ | Sympathy | 51 % | 45 % | 35 % | 31 % |
| 42.5 % | ≈ 45′ | Anger | 60 % | 54 % | 49 % | 34 % |
| 47.5 % | ≈ 51′ | Sympathy | 60 % | 54 % | 44 % | 36 % |
| 52.5 % | ≈ 56′ | Anger | 59 % | 50 % | 31 % | 41 % |
| 57.5 % | ≈ 62′ | Sadness | 65 % | 57 % | 28 % | 51 % |
| 62.5 % | ≈ 67′ | Sympathy | 66 % | 60 % | 41 % | 43 % |
| 67.5 % | ≈ 72′ | Sympathy | 68 % | 60 % | 56 % | 36 % |
| 72.5 % | ≈ 78′ | Anger | 75 % | 69 % | 68 % | 48 % |
| 77.5 % | ≈ 83′ | Anger | 83 % | 78 % | 78 % | 59 % |
| 82.5 % | ≈ 88′ | Anger | 79 % | 69 % | 71 % | 53 % |
| 87.5 % | ≈ 94′ | Tension | 76 % | 60 % | 65 % | 50 % |
| 92.5 % | ≈ 99′ | Sadness | 85 % | 70 % | 73 % | 68 % |
| 97.5 % | ≈ 104′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Señorito de la Jara
Miriam
Carlos Alberto
Obispo
Details
- Directed by
- Mario Camus
- Written by
- Antonio Larreta, Mario Camus, Miguel Delibes, Manolo Matji
- Type
- Movies
- Released
- 1984
- Runtime
- 107 min
- Country
- Spain
- Genres
- Drama
- Ratings
- Feels mostly
- Sadness
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




