The Creator
1999 · 92 min · Director: Albert Dupontel
Show plot summary (may contain spoilers)
Darius, playwright, consecrated by a huge success, signs in a moment of alcoholic absence a contract for a new play. After a rehab, he realizes when he returns to Paris that he completely forgot to write this story. When the new play is announced in a month and the lead actress has agreed, Darius gets to work. Alas, he has no inspiration. At the height of the crisis, the actress for whom this role is essential, makes him admit that he must experience strong emotions to be inspired.
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Emotional fingerprint
The Creator (1999) — Movie. Top emotional signals: Humor 35%, Confusion 25%, Anxiety 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Confusion25%
- Anxiety15%
- Inspiration15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Confusion, Anxiety. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Confusion and Anxiety. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Curiosity
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion: Curiosity
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Curiosity | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 42 % | 35 % | 25 % | 10 % |
| 7.5 % | ≈ 7′ | Humor | 48 % | 44 % | 29 % | 18 % |
| 12.5 % | ≈ 12′ | Humor | 54 % | 50 % | 33 % | 30 % |
| 17.5 % | ≈ 16′ | Humor | 56 % | 51 % | 29 % | 38 % |
| 22.5 % | ≈ 21′ | Humor | 60 % | 56 % | 26 % | 41 % |
| 27.5 % | ≈ 25′ | Humor | 61 % | 60 % | 29 % | 40 % |
| 32.5 % | ≈ 30′ | Humor | 59 % | 57 % | 32 % | 36 % |
| 37.5 % | ≈ 35′ | Humor | 58 % | 50 % | 35 % | 33 % |
| 42.5 % | ≈ 39′ | Sadness | 60 % | 45 % | 36 % | 32 % |
| 47.5 % | ≈ 44′ | Disturbing | 65 % | 50 % | 40 % | 43 % |
| 52.5 % | ≈ 48′ | Humor | 65 % | 53 % | 44 % | 50 % |
| 57.5 % | ≈ 53′ | Curiosity | 60 % | 50 % | 40 % | 40 % |
| 62.5 % | ≈ 58′ | Humor | 57 % | 53 % | 31 % | 29 % |
| 67.5 % | ≈ 62′ | Humor | 59 % | 56 % | 32 % | 32 % |
| 72.5 % | ≈ 67′ | Humor | 64 % | 60 % | 41 % | 44 % |
| 77.5 % | ≈ 71′ | Humor | 66 % | 58 % | 50 % | 51 % |
| 82.5 % | ≈ 76′ | Curiosity | 63 % | 51 % | 56 % | 49 % |
| 87.5 % | ≈ 81′ | Humor | 60 % | 52 % | 57 % | 45 % |
| 92.5 % | ≈ 85′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 90′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Mietek
La mère
Voisin furieux
Odette
Edmée
La barmaid
Angélique
Details
- Directed by
- Albert Dupontel
- Written by
- Albert Dupontel, Gilles Laurent
- Type
- Movies
- Released
- 1999
- Runtime
- 92 min
- Country
- France
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




