Torremolinos 73
2003 · 87 min · Director: Pablo Berger
Show plot summary (may contain spoilers)
Alfredo Lopez is a tired encyclopedia salesman, and Carmen is his faithful wife. The lives of this married couple change forever when the Montoya publishing house, in which Alfredo works, makes a proposal to them to make erotic films that will sold in the Scandinavian countries, under the guise of being a false encyclopedia about reproduction. Unknown to them both, Carmen has become an adult film star in the Northern countries, and a Danish crew flies in to help Alfredo make an Ingmar Bergman inspired feature film called "Torremolinos 73." Instead of a career in show business, Carmen is eager to have a baby, and the tension between the artist and his muse grows.
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Emotional fingerprint
Torremolinos 73 (2003) — Movie. Top emotional signals: Humor 30%, Anxiety 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Anxiety, Empathy. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Anxiety and Empathy. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Humor
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Humor | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 40 % | 32 % | 37 % | 20 % |
| 7.5 % | ≈ 7′ | Humor | 41 % | 33 % | 38 % | 21 % |
| 12.5 % | ≈ 11′ | Humor | 46 % | 29 % | 41 % | 20 % |
| 17.5 % | ≈ 15′ | Humor | 51 % | 25 % | 49 % | 14 % |
| 22.5 % | ≈ 20′ | Humor | 51 % | 25 % | 51 % | 8 % |
| 27.5 % | ≈ 24′ | Humor | 49 % | 26 % | 45 % | 4 % |
| 32.5 % | ≈ 28′ | Hope | 50 % | 34 % | 35 % | 5 % |
| 37.5 % | ≈ 33′ | Hope | 53 % | 41 % | 27 % | 14 % |
| 42.5 % | ≈ 37′ | Hope | 49 % | 41 % | 26 % | 23 % |
| 47.5 % | ≈ 41′ | Humor | 48 % | 38 % | 36 % | 20 % |
| 52.5 % | ≈ 46′ | Humor | 57 % | 43 % | 39 % | 28 % |
| 57.5 % | ≈ 50′ | Sadness | 66 % | 57 % | 28 % | 49 % |
| 62.5 % | ≈ 54′ | Empathy | 63 % | 54 % | 30 % | 41 % |
| 67.5 % | ≈ 59′ | Hope | 55 % | 36 % | 40 % | 16 % |
| 72.5 % | ≈ 63′ | Humor | 53 % | 36 % | 39 % | 11 % |
| 77.5 % | ≈ 67′ | Empathy | 56 % | 45 % | 31 % | 20 % |
| 82.5 % | ≈ 72′ | Tension | 65 % | 51 % | 28 % | 33 % |
| 87.5 % | ≈ 76′ | Tension | 71 % | 59 % | 23 % | 44 % |
| 92.5 % | ≈ 80′ | Tension | 71 % | 61 % | 24 % | 38 % |
| 97.5 % | ≈ 85′ | Hope | 70 % | 60 % | 37 % | 22 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Señora de Romerales
Doña Isabel
Erik
Frida
Sr. Anasagasti
Ginecólogo
Máximo Valverde
Ole
Aksel
Details
- Directed by
- Pablo Berger
- Written by
- Pablo Berger
- Type
- Movies
- Released
- 2003
- Runtime
- 87 min
- Country
- Spain, Denmark
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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