The Weakness of the Bolshevik
2003 · 95 min · Director: Manuel Martín Cuenca
Show plot summary (may contain spoilers)
Based on a novel by Lorenzo Silva, this movie deals with the unusual and tragic relationship between a frustrated businessman and a 14-year-old student. After crashing into the rear of the car in front of him, Pablo Lopez starts arguing with the other driver, Sonsoles, who finally files for an injury claim against him. Therefore, the angry manager starts harassing her and observes her younger sister Maria in her schoolyard. When he gets to know the intelligent girl, his perception of life is changed totally, but their friendship leads into a tragedy...
Emotional fingerprint
The Weakness of the Bolshevik (2003) — Movie. Top emotional signals: Anxiety 30%, Sadness 25%, Confusion 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Sadness25%
- Confusion20%
- Empathy15%
- Disturbing10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Sadness, Confusion. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Sadness and Confusion. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 37 % | 28 % | 8 % | 23 % |
| 7.5 % | ≈ 7′ | Tension | 35 % | 29 % | 9 % | 24 % |
| 12.5 % | ≈ 12′ | Tension | 36 % | 32 % | 11 % | 26 % |
| 17.5 % | ≈ 17′ | Tension | 35 % | 30 % | 15 % | 28 % |
| 22.5 % | ≈ 21′ | Curiosity | 39 % | 31 % | 24 % | 30 % |
| 27.5 % | ≈ 26′ | Tension | 50 % | 45 % | 30 % | 38 % |
| 32.5 % | ≈ 31′ | Curiosity | 51 % | 48 % | 28 % | 46 % |
| 37.5 % | ≈ 36′ | Curiosity | 46 % | 40 % | 26 % | 49 % |
| 42.5 % | ≈ 40′ | Curiosity | 46 % | 31 % | 31 % | 46 % |
| 47.5 % | ≈ 45′ | Curiosity | 46 % | 21 % | 38 % | 44 % |
| 52.5 % | ≈ 50′ | Curiosity | 45 % | 16 % | 43 % | 39 % |
| 57.5 % | ≈ 55′ | Empathy | 48 % | 21 % | 45 % | 35 % |
| 62.5 % | ≈ 59′ | Tension | 50 % | 33 % | 43 % | 37 % |
| 67.5 % | ≈ 64′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 72.5 % | ≈ 69′ | Empathy | 50 % | 37 % | 47 % | 23 % |
| 77.5 % | ≈ 74′ | Tension | 53 % | 48 % | 43 % | 35 % |
| 82.5 % | ≈ 78′ | Tension | 64 % | 64 % | 46 % | 40 % |
| 87.5 % | ≈ 83′ | Tension | 82 % | 81 % | 64 % | 30 % |
| 92.5 % | ≈ 88′ | Tension | 93 % | 92 % | 78 % | 20 % |
| 97.5 % | ≈ 93′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Weakness of the Bolshevik. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Dolores
Elsa
Raúl
Armando
Municipal
Izaskun
Andrea
Marcos
Cliente
Hombre reunión
Mujer reunión
Taxista
Details
- Directed by
- Manuel Martín Cuenca
- Written by
- Manuel Martín Cuenca, Lorenzo Silva
- Type
- Movies
- Released
- 2003
- Runtime
- 95 min
- Country
- Spain
- Genres
- Drama
- Ratings
- Feels mostly
- Anxiety
- Data updated
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