The Last Mistress
2007 · 115 min · Director: Catherine Breillat
Show plot summary (may contain spoilers)
At 30, boyish penniless aristocrat Ryno de Marigny has separated from Villini, a passionate Spaniard and his mistress of 10 years. He's now in love with Hermangarde, a young, wealthy, and titled virgin. Days before the wedding, the bride's grandmother sits Ryno down and insists on knowing if his affair is over. He relates a story of passion, which we see in flashbacks, swearing he loves only Hermangarde. After the wedding, the couple moves to a castle by the sea. And Villini? Can passion survive disgust and self-loathing?
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Emotional fingerprint
The Last Mistress (2007) — Movie. Top emotional signals: Love 35%, Melancholy 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love35%
- Melancholy25%
- Anxiety20%
- Sadness10%
- Guilt10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Melancholy, Anxiety. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Melancholy and Anxiety. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 38 % | 12 % | 27 % | 2 % |
| 7.5 % | ≈ 9′ | Curiosity | 44 % | 21 % | 38 % | 5 % |
| 12.5 % | ≈ 14′ | Tension | 48 % | 24 % | 45 % | 8 % |
| 17.5 % | ≈ 20′ | Curiosity | 48 % | 19 % | 43 % | 9 % |
| 22.5 % | ≈ 26′ | Curiosity | 46 % | 16 % | 38 % | 11 % |
| 27.5 % | ≈ 32′ | Curiosity | 45 % | 11 % | 38 % | 13 % |
| 32.5 % | ≈ 37′ | Tension | 55 % | 10 % | 53 % | 25 % |
| 37.5 % | ≈ 43′ | Tension | 70 % | 19 % | 65 % | 42 % |
| 42.5 % | ≈ 49′ | Love | 76 % | 41 % | 59 % | 52 % |
| 47.5 % | ≈ 55′ | Sadness | 80 % | 66 % | 50 % | 68 % |
| 52.5 % | ≈ 60′ | Sadness | 78 % | 64 % | 46 % | 74 % |
| 57.5 % | ≈ 66′ | Disturbing | 61 % | 39 % | 43 % | 55 % |
| 62.5 % | ≈ 72′ | Love | 49 % | 20 % | 43 % | 29 % |
| 67.5 % | ≈ 78′ | Tension | 56 % | 20 % | 55 % | 28 % |
| 72.5 % | ≈ 83′ | Tension | 61 % | 24 % | 61 % | 36 % |
| 77.5 % | ≈ 89′ | Love | 59 % | 26 % | 57 % | 35 % |
| 82.5 % | ≈ 95′ | Tension | 66 % | 45 % | 59 % | 40 % |
| 87.5 % | ≈ 101′ | Sadness | 70 % | 65 % | 49 % | 38 % |
| 92.5 % | ≈ 106′ | Sadness | 67 % | 70 % | 33 % | 28 % |
| 97.5 % | ≈ 112′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
La marquise de Flers
La chanteuse
La dame de Pique
Le vicomte de Mareuil
Le comte de Cerisy
Le cardinal de Flers
Sir Reginald
Le valet de Mareuil
La comtesse de Mendoze
Prétendant Vellini
Details
- Directed by
- Catherine Breillat
- Written by
- Catherine Breillat, Jules-Amédée Barbey d'Aurevilly
- Type
- Movies
- Released
- 2007
- Runtime
- 115 min
- Country
- France, Italy
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Subscription
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





