Fido
2006 · 92 min · Director: Andrew Currie
Show plot summary (may contain spoilers)
In an Earthly world resembling the 1950s, a cloud of space radiation has shrouded the planet, resulting in the dead becoming zombies that desire live human flesh. A company called Zomcon has been able to control the zombie population. Zombies can be temporarily neutralized by being shot, but can only be permanently neutralized by their brain being destroyed. Their ultimate disposal is through cremation, or burial, the latter which requires decapitation with the head being buried separately from the body. Conversely, Zomcon has created the domestication collar, when activated and placed on a zombie makes the zombie controllable, and thus an eternally productive creature within society. Because all dead initially become zombies, the elderly are viewed negatively and suspectly. And all people, adult or child, learn to shoot to kill to protect society. Zomcon is the go to organization for all things zombie. In the town of Willard, the Robinsons - father Bill (Dylan Baker), mother Helen (Carrie-Anne Moss), and adolescent son Timmy (Kesun Loder) - are one family who don't own a zombie as a domestic, since Bill is afraid of zombies, as, when he was a child, he had to shoot his own zombie father, who tried to eat him. Bill has thus become fascinated with funerals to see zombies put away permanently. But Helen feels pressured to get a zombie when Zomcon's new head of security in Willard, the officious Jonathan Bottoms (Henry Czerny), moves into the neighborhood with his family. Never having had to deal with a zombie directly, Timmy is initially wary of their zombie. But as a lonely child who has no friends and is often bullied, Timmy eventually befriends their zombie, who he names Fido (Sir Billy Connolly), as he treats the zombie much like a faithful pet dog. Timmy protects Fido at all cost, even after Fido, due to no fault of its own, is implicated in some deaths, which creates a mini-wave of loose zombies unknown to Zomcon. But Fido may play a larger role within the family as a companion for Helen, who is largely neglected by Bill, since he sees human affection as ultimately resulting in such difficult issues as what happened between him and his own father. With Timmy and Helen treating Fido with kindness, Fido, in turn, may prove that not all zombies, even when without their domestication collar, are out to kill anyone and everyone in their path.
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Emotional fingerprint
Fido (2006) — Movie. Top emotional signals: Humor 25%, Empathy 25%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Nostalgia. Genres: Comedy, Drama, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Nostalgia. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 42 % | 35 % | 17 % | 30 % |
| 7.5 % | ≈ 7′ | Empathy | 43 % | 32 % | 30 % | 31 % |
| 12.5 % | ≈ 12′ | Humor | 43 % | 28 % | 31 % | 36 % |
| 17.5 % | ≈ 16′ | Humor | 45 % | 28 % | 27 % | 39 % |
| 22.5 % | ≈ 21′ | Empathy | 51 % | 39 % | 33 % | 35 % |
| 27.5 % | ≈ 25′ | Tension | 55 % | 50 % | 31 % | 35 % |
| 32.5 % | ≈ 30′ | Humor | 53 % | 48 % | 31 % | 35 % |
| 37.5 % | ≈ 35′ | Sadness | 48 % | 34 % | 36 % | 30 % |
| 42.5 % | ≈ 39′ | Sadness | 44 % | 24 % | 36 % | 30 % |
| 47.5 % | ≈ 44′ | Humor | 48 % | 34 % | 36 % | 34 % |
| 52.5 % | ≈ 48′ | Tension | 60 % | 55 % | 41 % | 36 % |
| 57.5 % | ≈ 53′ | Tension | 70 % | 60 % | 48 % | 35 % |
| 62.5 % | ≈ 58′ | Relief | 69 % | 50 % | 49 % | 25 % |
| 67.5 % | ≈ 62′ | Tension | 64 % | 51 % | 50 % | 18 % |
| 72.5 % | ≈ 67′ | Empathy | 63 % | 49 % | 55 % | 25 % |
| 77.5 % | ≈ 71′ | Empathy | 63 % | 41 % | 53 % | 34 % |
| 82.5 % | ≈ 76′ | Tension | 69 % | 59 % | 50 % | 29 % |
| 87.5 % | ≈ 81′ | Tension | 73 % | 61 % | 51 % | 23 % |
| 92.5 % | ≈ 85′ | Relief | 65 % | 35 % | 45 % | 25 % |
| 97.5 % | ≈ 90′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Stan Fraser
Dee Dee Bottoms
Miss Mills
Floyd
Roy Fraser
Details
- Directed by
- Andrew Currie
- Written by
- Andrew Currie, Robert Chomiak, Dennis Heaton
- Type
- Movies
- Released
- 2006
- Runtime
- 92 min
- Country
- Canada
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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Free
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