Daisy
2006 · 110 min · Director: Wai Keung Lau, Andrew Lau Wai-Keung
Show plot summary (may contain spoilers)
Set in Amsterdam, DAISY tells the story of a love triangle between a young girl and the two men in her life. Hye-young (Jeon Ji-hyun) is a painter in Amsterdam who looks after her grandfather's antique shop during the week and earns extra money as a street painter on weekends. It's through her painting that she meets Jeong-woo (Lee Sung-jae), an Interpol cop who is chasing a criminal, but keeps Hye-young in the dark about his real work.
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Emotional fingerprint
Daisy (2006) — Movie. Top emotional signals: Love 30%, Melancholy 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Melancholy25%
- Tension20%
- Nostalgia15%
- Sadness10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Melancholy, Tension. Genres: Drama, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Melancholy and Tension. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 53 % | 22 % | 30 % | 25 % |
| 7.5 % | ≈ 8′ | Love | 49 % | 16 % | 35 % | 25 % |
| 12.5 % | ≈ 14′ | Love | 44 % | 13 % | 38 % | 25 % |
| 17.5 % | ≈ 19′ | Love | 48 % | 11 % | 44 % | 26 % |
| 22.5 % | ≈ 25′ | Love | 56 % | 10 % | 55 % | 30 % |
| 27.5 % | ≈ 30′ | Love | 66 % | 25 % | 56 % | 43 % |
| 32.5 % | ≈ 36′ | Tension | 75 % | 53 % | 45 % | 61 % |
| 37.5 % | ≈ 41′ | Sadness | 71 % | 60 % | 36 % | 65 % |
| 42.5 % | ≈ 47′ | Tension | 66 % | 57 % | 43 % | 61 % |
| 47.5 % | ≈ 52′ | Sadness | 69 % | 61 % | 51 % | 65 % |
| 52.5 % | ≈ 58′ | Empathy | 70 % | 61 % | 45 % | 66 % |
| 57.5 % | ≈ 63′ | Sadness | 74 % | 50 % | 30 % | 57 % |
| 62.5 % | ≈ 69′ | Tension | 80 % | 43 % | 26 % | 51 % |
| 67.5 % | ≈ 74′ | Sadness | 81 % | 53 % | 33 % | 55 % |
| 72.5 % | ≈ 80′ | Curiosity | 80 % | 55 % | 39 % | 55 % |
| 77.5 % | ≈ 85′ | Tension | 85 % | 63 % | 56 % | 64 % |
| 82.5 % | ≈ 91′ | Sadness | 85 % | 76 % | 68 % | 71 % |
| 87.5 % | ≈ 96′ | Sadness | 78 % | 76 % | 63 % | 64 % |
| 92.5 % | ≈ 102′ | Sadness | 78 % | 78 % | 63 % | 63 % |
| 97.5 % | ≈ 107′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Henchmen
Prostitute
Old man
Tulip Man
Bodyguard
Painter
Bodyguard
Hotel
Police
Details
- Directed by
- Wai Keung Lau, Andrew Lau Wai-Keung
- Written by
- Gordon Chan, Felix Chong, Jae-young Kwak, Felix Chong Man-Keung, Kwak Jae-yong
- Type
- Movies
- Released
- 2006
- Runtime
- 110 min
- Country
- South Korea, Hong Kong
- Ratings
- Feels mostly
- Love
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





