feeldb

Nos jours heureux

2006 · 103 min · Director: Olivier Nakache, Éric Toledano ★ IMDb 6.8 · 5,625 ratings

Show plot summary (may contain spoilers)

A genuine and often funny depiction of the relationships between monitors and children in a summer vacation camp. From romance to friendship, dancing to fighting, this French movie bring back good souvenirs of childhood.

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Emotional fingerprint

Nos jours heureux (2006) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Humor30%
  2. Love15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Humor, Empathy, Nostalgia. Genres: Comedy. AI estimate.

Is it worth watching?

Consider this title if you are looking for Humor, Empathy and Nostalgia. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Humor
  • Joy
  • Love

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Tension

Dominant emotion: Love

Dominant emotion: Joy

Humor
Joy
Love
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityHumorJoyLove
2.5 %≈ 3′Humor41 %38 %15 %15 %
7.5 %≈ 8′Humor43 %40 %20 %12 %
12.5 %≈ 13′Humor43 %39 %20 %10 %
17.5 %≈ 18′Humor42 %39 %19 %9 %
22.5 %≈ 23′Humor45 %40 %17 %7 %
27.5 %≈ 28′Humor46 %36 %15 %6 %
32.5 %≈ 33′Humor43 %35 %14 %6 %
37.5 %≈ 39′Humor47 %36 %12 %7 %
42.5 %≈ 44′Tension54 %37 %14 %10 %
47.5 %≈ 49′Humor53 %41 %18 %16 %
52.5 %≈ 54′Humor49 %40 %21 %28 %
57.5 %≈ 59′Love47 %37 %24 %34 %
62.5 %≈ 64′Humor49 %42 %22 %26 %
67.5 %≈ 70′Humor51 %46 %18 %14 %
72.5 %≈ 75′Humor50 %46 %22 %12 %
77.5 %≈ 80′Humor51 %43 %32 %24 %
82.5 %≈ 85′Joy56 %36 %41 %38 %
87.5 %≈ 90′Love59 %36 %39 %46 %
92.5 %≈ 95′Humor61 %47 %34 %48 %
97.5 %≈ 100′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

LG
Lannick Gautry

Daniel

JF
Julie Fournier

Lisa

GC
Guillaume Cyr

Truman

JB
Jean Benguigui

Mimoun

CH
Catherine Hosmalin

Christine

AM
Arthur Mazet

Guillaume

JD
Jérémy Denisty

Timoty

Ad
Arthur de Donno

Steve

YB
Yannis Belal

Youssef

JA
Johanna Ansart

Léa

CC
Cindy Colpaert

Camille

MJ
Martin Jobert

Benoît

IB
Ilona Bachelier

Charlotte

Lionel Abelanski

le conducteur de train

IC
Idit Cebula

Mme Marciano

Details

Type
Movies
Released
2006
Runtime
103 min
Country
France
Genres
Comedy
Ratings
★ IMDb 6.8 · 5,625 ratings
Feels mostly
Humor
Data updated

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Emotion overlap shows mood similarity, not a prediction of enjoyment.