The Edge of Love
2008 · 110 min · Director: John Maybury
Show plot summary (may contain spoilers)
Two feisty, free-spirited women are connected by the brilliant, charismatic poet who loves them both. The passion and pathos of legendary poet Dylan Thomas is told through the lives of two extraordinary women. Vera Phillips and Dylan were teenage loves; fast forward ten years and the two reconnect in London. She's working as a singer whilst he's churning out scripts for government propaganda films and living off the last in a long line of infatuated women. The two former lovers feel the thunderbolt once more, but Thomas is now married to the adventurous Caitlin. Despite their love-rival status, the women form a surprising friendship. Caitlin indulges in her own infidelities, and recognises a similar adventurous spirit in her husband. But she knows his connection with Vera is something different, not to mention dangerous. Romantic turmoil continues in Vera's life. She marries her devoted admirer William Killick, but she can't deny the chemistry between herself and Dylan, nor does she want to - even if this means betraying Caitlin. When William is posted abroad, and a pregnant Vera returns to Wales with her married friends, the battle between her heart and head becomes more intense. William returns a changed man, but neither is Vera the carefree cabaret girl he married. Neighbourhood gossip fuels her husband's jealousy towards his rival. Enraged, William stages a violent attack on Dylan - an attack that forces Vera to choose between the men in her life and the friend that she loves. Desire and guilt are complicated by love and friendship in this real-life tale set in beautiful London and the majestic Welsh countryside.
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Emotional fingerprint
The Edge of Love (2008) — Movie. Top emotional signals: Love 30%, Empathy 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Empathy25%
- Melancholy20%
- Anxiety15%
- Sadness10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Empathy, Melancholy. Genres: Drama, Romance, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Empathy and Melancholy. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 47 % | 37 % | 30 % | 28 % |
| 7.5 % | ≈ 8′ | Love | 47 % | 34 % | 27 % | 30 % |
| 12.5 % | ≈ 14′ | Humor | 48 % | 35 % | 21 % | 26 % |
| 17.5 % | ≈ 19′ | Humor | 52 % | 39 % | 20 % | 29 % |
| 22.5 % | ≈ 25′ | Love | 60 % | 48 % | 25 % | 34 % |
| 27.5 % | ≈ 30′ | Tension | 69 % | 55 % | 26 % | 36 % |
| 32.5 % | ≈ 36′ | Love | 69 % | 45 % | 23 % | 53 % |
| 37.5 % | ≈ 41′ | Love | 66 % | 38 % | 29 % | 58 % |
| 42.5 % | ≈ 47′ | Sadness | 69 % | 51 % | 50 % | 40 % |
| 47.5 % | ≈ 52′ | Tension | 71 % | 60 % | 59 % | 31 % |
| 52.5 % | ≈ 58′ | Sadness | 62 % | 49 % | 45 % | 39 % |
| 57.5 % | ≈ 63′ | Love | 58 % | 45 % | 36 % | 39 % |
| 62.5 % | ≈ 69′ | Tension | 63 % | 51 % | 48 % | 28 % |
| 67.5 % | ≈ 74′ | Sadness | 70 % | 56 % | 54 % | 24 % |
| 72.5 % | ≈ 80′ | Tension | 78 % | 70 % | 48 % | 23 % |
| 77.5 % | ≈ 85′ | Tension | 81 % | 78 % | 48 % | 25 % |
| 82.5 % | ≈ 91′ | Tension | 76 % | 70 % | 51 % | 35 % |
| 87.5 % | ≈ 96′ | Relief | 72 % | 51 % | 57 % | 43 % |
| 92.5 % | ≈ 102′ | Sadness | 67 % | 25 % | 61 % | 40 % |
| 97.5 % | ≈ 107′ | Sadness | 61 % | 13 % | 58 % | 30 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Ruth Williams
Al Bowlly
Details
- Directed by
- John Maybury
- Written by
- Sharman Macdonald, Rebekah Gilbertson
- Type
- Movies
- Released
- 2008
- Runtime
- 110 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
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Free
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