Sex and the City
2008 · 146 min · Director: Michael Patrick King
Show plot summary (may contain spoilers)
After moving in together in an impossibly beautiful New York apartment, Carrie Bradshaw and Mr. Big make a rather arbitrary decision to get married. The wedding itself proves to be anything but a hasty affair--the guest list quickly blooms from 75 to 200 guests, and Carrie's simple, label-less wedding gown gives way to an enormous creation that makes her look like a gigantic cream puff. An upcoming photo spread in Vogue puts the event--which will take place at the New York Public Library--squarely in the public eye. Meanwhile, Carrie's girlfriends--Samantha, the sexpot; Charlotte, the sweet naïf; and Miranda, the rigid perfectionist--could not be happier. At least, they couldn't be happier for Carrie. Charlotte still has the unrealized hope of getting pregnant. Samantha is finding a loving, committed relationship more grueling than she could have imagined. Miranda unwittingly lets her own unhappiness--created when Steve admits to cheating on her just once--spoil Carrie's. After a heated encounter with Steve, she happens to spot Mr. Big and tells him he's crazy to get married. She's really only thinking of her own marriage. But her angry remark gets Mr. Big to thinking.
Emotional fingerprint
Sex and the City (2008) — Movie. Top emotional signals: Humor 30%, Love 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Sadness20%
- Satisfaction15%
- Anxiety10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Sadness. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Sadness. Its IMDb rating of 5.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 58/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Love
- Sadness
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Sadness | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Humor | 48 % | 37 % | 3 % | 25 % |
| 7.5 % | ≈ 11′ | Humor | 49 % | 38 % | 5 % | 29 % |
| 12.5 % | ≈ 18′ | Love | 50 % | 41 % | 5 % | 31 % |
| 17.5 % | ≈ 26′ | Love | 46 % | 36 % | 9 % | 25 % |
| 22.5 % | ≈ 33′ | Humor | 46 % | 25 % | 23 % | 16 % |
| 27.5 % | ≈ 40′ | Sadness | 56 % | 24 % | 38 % | 13 % |
| 32.5 % | ≈ 47′ | Tension | 68 % | 28 % | 48 % | 13 % |
| 37.5 % | ≈ 55′ | Sadness | 70 % | 24 % | 56 % | 10 % |
| 42.5 % | ≈ 62′ | Sadness | 58 % | 19 % | 50 % | 9 % |
| 47.5 % | ≈ 69′ | Sadness | 45 % | 18 % | 34 % | 16 % |
| 52.5 % | ≈ 77′ | Joy | 41 % | 19 % | 26 % | 23 % |
| 57.5 % | ≈ 84′ | Humor | 41 % | 23 % | 29 % | 20 % |
| 62.5 % | ≈ 91′ | Sadness | 46 % | 30 % | 38 % | 21 % |
| 67.5 % | ≈ 99′ | Sadness | 50 % | 36 % | 39 % | 25 % |
| 72.5 % | ≈ 106′ | Love | 54 % | 32 % | 36 % | 20 % |
| 77.5 % | ≈ 113′ | Sadness | 59 % | 29 % | 36 % | 19 % |
| 82.5 % | ≈ 120′ | Love | 59 % | 38 % | 33 % | 33 % |
| 87.5 % | ≈ 128′ | Joy | 59 % | 48 % | 31 % | 39 % |
| 92.5 % | ≈ 135′ | Love | 65 % | 57 % | 24 % | 40 % |
| 97.5 % | ≈ 142′ | Love | 73 % | 68 % | 12 % | 52 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Sex and the City. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Brady Hobbes
Lily York Goldenblatt
Lily York Goldenblatt
Twenty-Something Girl #1
Twenty-Something Girl #2
Details
- Directed by
- Michael Patrick King
- Written by
- Darren Star, Michael Patrick King, Candace Bushnell
- Type
- Movies
- Released
- 2008
- Runtime
- 146 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Subscription
Rent
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