The Goddess of Fortune
2019 · 114 min · Director: Ferzan Özpetek
Show plot summary (may contain spoilers)
Alessandro and Arturo have been a couple for more than 15 years. Although passion and love have turned into an important affection, their relationship has been in crisis for some time. The sudden arrival in their lives of two children left in custody for a few days by Alessandro's best friend could give an unexpected turn to their tired routine. The solution will be a crazy gesture; on the other hand, love is a state of pleasant madness.
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Emotional fingerprint
The Goddess of Fortune (2019) — Movie. Top emotional signals: Love 30%, Empathy 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Empathy, Humor. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Empathy and Humor. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 62 % | 15 % | 53 % | 33 % |
| 7.5 % | ≈ 9′ | Humor | 50 % | 13 % | 30 % | 24 % |
| 12.5 % | ≈ 14′ | Humor | 41 % | 8 % | 14 % | 16 % |
| 17.5 % | ≈ 20′ | Humor | 41 % | 9 % | 20 % | 20 % |
| 22.5 % | ≈ 26′ | Humor | 43 % | 14 % | 33 % | 28 % |
| 27.5 % | ≈ 31′ | Love | 44 % | 18 % | 39 % | 33 % |
| 32.5 % | ≈ 37′ | Empathy | 48 % | 26 % | 36 % | 41 % |
| 37.5 % | ≈ 43′ | Empathy | 53 % | 35 % | 36 % | 46 % |
| 42.5 % | ≈ 48′ | Tension | 59 % | 40 % | 51 % | 43 % |
| 47.5 % | ≈ 54′ | Tension | 65 % | 48 % | 64 % | 43 % |
| 52.5 % | ≈ 60′ | Sadness | 63 % | 51 % | 59 % | 45 % |
| 57.5 % | ≈ 66′ | Sadness | 53 % | 45 % | 45 % | 45 % |
| 62.5 % | ≈ 71′ | Empathy | 49 % | 40 % | 40 % | 45 % |
| 67.5 % | ≈ 77′ | Tension | 54 % | 46 % | 41 % | 48 % |
| 72.5 % | ≈ 83′ | Sadness | 54 % | 45 % | 35 % | 45 % |
| 77.5 % | ≈ 88′ | Love | 49 % | 34 % | 36 % | 36 % |
| 82.5 % | ≈ 94′ | Sadness | 60 % | 48 % | 53 % | 45 % |
| 87.5 % | ≈ 100′ | Sadness | 75 % | 69 % | 64 % | 63 % |
| 92.5 % | ≈ 105′ | Sadness | 78 % | 64 % | 68 % | 68 % |
| 97.5 % | ≈ 111′ | Love | 80 % | 52 % | 73 % | 68 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Sandro
Mina
Ginevra
Prissy
Marco
Details
- Directed by
- Ferzan Özpetek
- Written by
- Gianni Romoli, Ferzan Özpetek, Silvia Ranfagni
- Type
- Movies
- Released
- 2019
- Runtime
- 114 min
- Country
- Italy
- Genres
- Drama
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Free
Rent
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