Rose Island
2020 · 120 min · Director: Sydney Sibilia
Show plot summary (may contain spoilers)
In 1968, engineer Giorgio Rosa established the independent state called "The Isle of Roses" off the coast of Rimini, built on a platform outside the territorial waters, with Esperanto as the official language. The Italian authorities did not take it well because the micro nation was seen as an expedient to not pay taxes on the revenues obtained thanks to the arrival of numerous tourists and curious people.
Emotional fingerprint
Rose Island (2020) — Movie. Top emotional signals: Humor 35%, Joy 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Joy25%
- Empathy20%
- Surprise10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Empathy. Genres: Comedy, Adventure, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Empathy. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Hope
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Hope
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Hope | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 30 % | 13 % | 7 % | 5 % |
| 7.5 % | ≈ 9′ | Humor | 36 % | 15 % | 9 % | 9 % |
| 12.5 % | ≈ 15′ | Humor | 41 % | 24 % | 18 % | 11 % |
| 17.5 % | ≈ 21′ | Hope | 48 % | 30 % | 36 % | 24 % |
| 22.5 % | ≈ 27′ | Hope | 57 % | 29 % | 48 % | 45 % |
| 27.5 % | ≈ 33′ | Joy | 59 % | 24 % | 43 % | 50 % |
| 32.5 % | ≈ 39′ | Humor | 51 % | 16 % | 38 % | 41 % |
| 37.5 % | ≈ 45′ | Joy | 46 % | 16 % | 39 % | 35 % |
| 42.5 % | ≈ 51′ | Hope | 45 % | 24 % | 31 % | 25 % |
| 47.5 % | ≈ 57′ | Humor | 45 % | 30 % | 19 % | 15 % |
| 52.5 % | ≈ 63′ | Humor | 44 % | 35 % | 20 % | 14 % |
| 57.5 % | ≈ 69′ | Humor | 46 % | 39 % | 21 % | 13 % |
| 62.5 % | ≈ 75′ | Sadness | 50 % | 40 % | 19 % | 6 % |
| 67.5 % | ≈ 81′ | Hope | 55 % | 49 % | 23 % | 3 % |
| 72.5 % | ≈ 87′ | Tension | 65 % | 63 % | 28 % | 8 % |
| 77.5 % | ≈ 93′ | Tension | 69 % | 66 % | 33 % | 14 % |
| 82.5 % | ≈ 99′ | Tension | 73 % | 71 % | 29 % | 9 % |
| 87.5 % | ≈ 105′ | Tension | 76 % | 63 % | 26 % | 9 % |
| 92.5 % | ≈ 111′ | Sadness | 72 % | 35 % | 35 % | 20 % |
| 97.5 % | ≈ 117′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Pietro Bernardini
Franca
Carlo
Cardinale Emanuele Nunziante
Francesco Cossiga
Giulio Andreotti
Naval officer Malta
Details
- Directed by
- Sydney Sibilia
- Written by
- Sydney Sibilia, Francesca Manieri
- Type
- Movies
- Released
- 2020
- Runtime
- 120 min
- Country
- Italy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
