Madame Claude
2021 · 112 min · Director: Sylvie Verheyde
Show plot summary (may contain spoilers)
Paris, in the late 1960s. Madame Claude is at the head of a flourishing business dedicated to prostitution that gives her power over both the French political and criminal worlds. But the end of her empire is closer than she thinks.
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Emotional fingerprint
Madame Claude (2021) — Movie. Top emotional signals: Anxiety 30%, Curiosity 25%, Anger 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Curiosity25%
- Anger20%
- Melancholy15%
- Anticipation10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Curiosity, Anger. Genres: Drama, Crime, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Curiosity and Anger. Its IMDb rating of 5.5/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 40 % | 6 % | 10 % | 15 % |
| 7.5 % | ≈ 8′ | Curiosity | 45 % | 18 % | 22 % | 27 % |
| 12.5 % | ≈ 14′ | Disturbing | 49 % | 24 % | 34 % | 33 % |
| 17.5 % | ≈ 20′ | Curiosity | 44 % | 20 % | 28 % | 26 % |
| 22.5 % | ≈ 25′ | Sadness | 43 % | 18 % | 24 % | 24 % |
| 27.5 % | ≈ 31′ | Curiosity | 51 % | 22 % | 38 % | 35 % |
| 32.5 % | ≈ 36′ | Disturbing | 59 % | 28 % | 47 % | 41 % |
| 37.5 % | ≈ 42′ | Tension | 59 % | 28 % | 53 % | 36 % |
| 42.5 % | ≈ 48′ | Tension | 63 % | 31 % | 58 % | 40 % |
| 47.5 % | ≈ 53′ | Disturbing | 64 % | 34 % | 50 % | 50 % |
| 52.5 % | ≈ 59′ | Empathy | 55 % | 33 % | 38 % | 44 % |
| 57.5 % | ≈ 64′ | Sadness | 57 % | 40 % | 41 % | 45 % |
| 62.5 % | ≈ 70′ | Disturbing | 68 % | 50 % | 49 % | 56 % |
| 67.5 % | ≈ 76′ | Sadness | 71 % | 46 % | 59 % | 57 % |
| 72.5 % | ≈ 81′ | Tension | 77 % | 46 % | 70 % | 54 % |
| 77.5 % | ≈ 87′ | Sadness | 78 % | 60 % | 69 % | 56 % |
| 82.5 % | ≈ 92′ | Sadness | 70 % | 65 % | 57 % | 56 % |
| 87.5 % | ≈ 98′ | Sadness | 66 % | 61 % | 44 % | 56 % |
| 92.5 % | ≈ 104′ | Sadness | 59 % | 52 % | 30 % | 50 % |
| 97.5 % | ≈ 109′ | Sadness | 51 % | 46 % | 17 % | 39 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Geneviève
Kate
Anne
Suzanne
Lou
Claude's Mother
Lola
Danseur Castel
Details
- Directed by
- Sylvie Verheyde
- Written by
- Sylvie Verheyde
- Type
- Movies
- Released
- 2021
- Runtime
- 112 min
- Country
- France
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





