The Big Year
2011 · 102 min · Director: David Frankel
Show plot summary (may contain spoilers)
In birding, a Big Year is seeing or hearing as many different species of birds as possible in a calendar year. Three men pursue the Birder of the Year title: Kenny Bostick, who's seen a record 732 in a past big year, Stu Preissler, newly retired, and Brad Harris, who narrates the story. Life gets in the way: Bostick's wife wants a baby, Stu's firm needs him for sensitive negotiations, and Brad, divorced and underemployed at 36, has an encouraging mom and a disapproving dad. They criss-cross the continent (including a trip to Alaska's westernmost island), follow migration patterns, and head for storms that force birds to ground. Who will win, at what cost, and with what rewards?
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Emotional fingerprint
The Big Year (2011) — Movie. Top emotional signals: Humor 30%, Excitement 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Excitement25%
- Empathy20%
- Hope15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Empathy. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Empathy. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Joy
- Humor
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Humor | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 42 % | 21 % | 17 % | 3 % |
| 7.5 % | ≈ 8′ | Joy | 42 % | 28 % | 24 % | 4 % |
| 12.5 % | ≈ 13′ | Humor | 43 % | 25 % | 35 % | 4 % |
| 17.5 % | ≈ 18′ | Humor | 46 % | 22 % | 39 % | 6 % |
| 22.5 % | ≈ 23′ | Curiosity | 47 % | 23 % | 29 % | 11 % |
| 27.5 % | ≈ 28′ | Tension | 52 % | 30 % | 22 % | 10 % |
| 32.5 % | ≈ 33′ | Joy | 54 % | 41 % | 23 % | 11 % |
| 37.5 % | ≈ 38′ | Joy | 49 % | 37 % | 24 % | 16 % |
| 42.5 % | ≈ 43′ | Tension | 46 % | 27 % | 27 % | 12 % |
| 47.5 % | ≈ 48′ | Curiosity | 45 % | 24 % | 29 % | 8 % |
| 52.5 % | ≈ 54′ | Humor | 43 % | 24 % | 33 % | 11 % |
| 57.5 % | ≈ 59′ | Humor | 43 % | 27 % | 36 % | 9 % |
| 62.5 % | ≈ 64′ | Joy | 44 % | 32 % | 34 % | 11 % |
| 67.5 % | ≈ 69′ | Joy | 50 % | 34 % | 31 % | 23 % |
| 72.5 % | ≈ 74′ | Tension | 56 % | 29 % | 27 % | 32 % |
| 77.5 % | ≈ 79′ | Sadness | 56 % | 16 % | 20 % | 40 % |
| 82.5 % | ≈ 84′ | Sadness | 58 % | 13 % | 19 % | 48 % |
| 87.5 % | ≈ 89′ | Sadness | 59 % | 30 % | 26 % | 45 % |
| 92.5 % | ≈ 94′ | Joy | 58 % | 47 % | 23 % | 36 % |
| 97.5 % | ≈ 99′ | Joy | 55 % | 48 % | 14 % | 34 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Details
- Directed by
- David Frankel
- Written by
- Howard Franklin, Mark Obmascik, Howard Franklin
- Type
- Movies
- Released
- 2011
- Runtime
- 102 min
- Country
- United States
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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