The Jerk Theory
2008 · 93 min · Director: Scott S. Anderson
Show plot summary (may contain spoilers)
An aspiring recording artist, Adam, is burned by a bad relationship experience and decides that if women won't respond to the "nice guy" then he'll be "the jerk." This is wildly successful with meaningless relationships, but when Adam meets and falls for Molly, who doesn''t fall for his jerk routine, Adam is forced to reconsider his dating philosophy.
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Emotional fingerprint
The Jerk Theory (2008) — Movie. Top emotional signals: Humor 32%, Love 25%, Satisfaction 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor32%
- Love25%
- Satisfaction18%
- Sadness13%
- Inspiration12%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Satisfaction. Genres: Comedy, Romance, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Satisfaction. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 58/100.
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Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 57 % | 55 % | 27 % | 28 % |
| 7.5 % | ≈ 7′ | Humor | 54 % | 51 % | 29 % | 27 % |
| 12.5 % | ≈ 12′ | Humor | 55 % | 55 % | 24 % | 21 % |
| 17.5 % | ≈ 16′ | Humor | 57 % | 61 % | 10 % | 16 % |
| 22.5 % | ≈ 21′ | Humor | 60 % | 64 % | 3 % | 20 % |
| 27.5 % | ≈ 26′ | Humor | 65 % | 64 % | 6 % | 25 % |
| 32.5 % | ≈ 30′ | Humor | 65 % | 61 % | 13 % | 20 % |
| 37.5 % | ≈ 35′ | Humor | 58 % | 58 % | 18 % | 19 % |
| 42.5 % | ≈ 40′ | Humor | 51 % | 53 % | 26 % | 24 % |
| 47.5 % | ≈ 44′ | Humor | 54 % | 49 % | 41 % | 28 % |
| 52.5 % | ≈ 49′ | Love | 61 % | 48 % | 56 % | 34 % |
| 57.5 % | ≈ 53′ | Love | 64 % | 48 % | 55 % | 30 % |
| 62.5 % | ≈ 58′ | Sadness | 60 % | 46 % | 33 % | 26 % |
| 67.5 % | ≈ 63′ | Joy | 59 % | 51 % | 19 % | 39 % |
| 72.5 % | ≈ 67′ | Humor | 61 % | 61 % | 23 % | 38 % |
| 77.5 % | ≈ 72′ | Humor | 63 % | 63 % | 20 % | 24 % |
| 82.5 % | ≈ 77′ | Humor | 64 % | 60 % | 15 % | 16 % |
| 87.5 % | ≈ 81′ | Humor | 68 % | 60 % | 28 % | 21 % |
| 92.5 % | ≈ 86′ | Love | 59 % | 46 % | 40 % | 36 % |
| 97.5 % | ≈ 91′ | Joy | 40 % | 25 % | 32 % | 37 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Amy
Chester
Clinton
Dudley
Marc Dixon
Cynthia
Self
Terry
Cecil the Sophomore
Kate
Jazmine
Britney (Uncredited)
Details
- Directed by
- Scott S. Anderson
- Written by
- Scott S. Anderson, Abraham Taylor
- Type
- Movies
- Released
- 2008
- Runtime
- 93 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





