All Good Things
2010 · 101 min · Director: Andrew Jarecki
Show plot summary (may contain spoilers)
A love story and murder mystery based on the most notorious unsolved murder case in New York history. The original screenplay uses newly discovered facts, court records and speculation as the foundation for a story of family, obsession, love and loss.
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Emotional fingerprint
All Good Things (2010) — Movie. Top emotional signals: Confusion 30%, Anxiety 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Confusion, Anxiety, Sadness. Genres: Drama, Mystery, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Confusion, Anxiety and Sadness. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 40 % | 40 % | 27 % | 25 % |
| 7.5 % | ≈ 8′ | Curiosity | 29 % | 28 % | 10 % | 14 % |
| 12.5 % | ≈ 13′ | Curiosity | 26 % | 21 % | 4 % | 14 % |
| 17.5 % | ≈ 18′ | Tension | 34 % | 26 % | 10 % | 25 % |
| 22.5 % | ≈ 23′ | Curiosity | 40 % | 31 % | 16 % | 31 % |
| 27.5 % | ≈ 28′ | Empathy | 44 % | 31 % | 23 % | 35 % |
| 32.5 % | ≈ 33′ | Tension | 48 % | 31 % | 24 % | 41 % |
| 37.5 % | ≈ 38′ | Tension | 50 % | 31 % | 28 % | 40 % |
| 42.5 % | ≈ 43′ | Sadness | 50 % | 28 % | 36 % | 35 % |
| 47.5 % | ≈ 48′ | Tension | 57 % | 29 % | 38 % | 49 % |
| 52.5 % | ≈ 53′ | Tension | 64 % | 34 % | 35 % | 60 % |
| 57.5 % | ≈ 58′ | Sadness | 55 % | 33 % | 38 % | 45 % |
| 62.5 % | ≈ 63′ | Sadness | 56 % | 32 % | 49 % | 38 % |
| 67.5 % | ≈ 68′ | Sadness | 70 % | 44 % | 59 % | 50 % |
| 72.5 % | ≈ 73′ | Curiosity | 70 % | 59 % | 49 % | 58 % |
| 77.5 % | ≈ 78′ | Curiosity | 65 % | 64 % | 35 % | 59 % |
| 82.5 % | ≈ 83′ | Curiosity | 66 % | 64 % | 34 % | 61 % |
| 87.5 % | ≈ 88′ | Curiosity | 70 % | 65 % | 41 % | 63 % |
| 92.5 % | ≈ 93′ | Sadness | 69 % | 51 % | 45 % | 59 % |
| 97.5 % | ≈ 98′ | Tension | 62 % | 30 % | 37 % | 53 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Mary McCarthy
Ann McCarthy
Brian Callender
Kelly Callender
Details
- Directed by
- Andrew Jarecki
- Written by
- Marcus Hinchey, Marc Smerling
- Type
- Movies
- Released
- 2010
- Runtime
- 101 min
- Country
- United States
- Ratings
- Feels mostly
- Confusion
- Data updated
Where to watch
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Monsters and Nightmares Amazon Channel
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Free
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





