feeldb

Map of the Sounds of Tokyo

2009 · 109 min · Director: Isabel Coixet ★ IMDb 5.9 · 2,611 ratings

Show plot summary (may contain spoilers)

A dramatic thriller that centers on a fish-market employee who doubles as a contract killer.

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Emotional fingerprint

Map of the Sounds of Tokyo (2009) — Movie. Top emotional signals: Melancholy 30%, Love 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love25%
  2. Awe15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Melancholy, Love, Anxiety. Genres: Thriller, Drama. AI estimate.

Is it worth watching?

Consider this title if you are looking for Melancholy, Love and Anxiety. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Melancholy
  • Sadness
  • Love

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Melancholy

Dominant emotion: Sadness

Dominant emotion: Tension

Dominant emotion: Love

Melancholy
Sadness
Love
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidenceNot enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 23 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityMelancholySadnessLove
2.5 %≈ 3′Curiosity40 %27 %17 %10 %
7.5 %≈ 8′Melancholy49 %41 %25 %21 %
12.5 %≈ 14′Curiosity54 %49 %28 %24 %
17.5 %≈ 19′Melancholy64 %55 %43 %18 %
22.5 %≈ 25′Sadness69 %48 %50 %13 %
27.5 %≈ 30′Tension55 %23 %24 %14 %
32.5 %≈ 35′Love46 %18 %13 %26 %
37.5 %≈ 41′Melancholy50 %34 %29 %38 %
42.5 %≈ 46′Love52 %42 %37 %40 %
47.5 %≈ 52′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
52.5 %≈ 57′Sadness60 %53 %50 %23 %
57.5 %≈ 63′Melancholy51 %48 %36 %25 %
62.5 %≈ 68′Melancholy54 %50 %39 %34 %
67.5 %≈ 74′Melancholy63 %50 %44 %39 %
72.5 %≈ 79′Tension68 %36 %35 %31 %
77.5 %≈ 84′Tension70 %36 %36 %23 %
82.5 %≈ 90′Melancholy68 %50 %46 %30 %
87.5 %≈ 95′Love70 %59 %59 %46 %
92.5 %≈ 101′Sadness78 %68 %73 %50 %
97.5 %≈ 106′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

MO
Manabu Oshio

Yoshi

TN
Takeo Nakahara

Nagara

HS
Hideo Sakaki

Ishida

Details

Directed by
Isabel Coixet
Written by
Isabel Coixet
Type
Movies
Released
2009
Runtime
109 min
Country
Spain
Ratings
★ IMDb 5.9 · 2,611 ratings
Feels mostly
Melancholy
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.