Emotional fingerprint
Heartless (2009) — Movie. Top emotional signals: Disturbing 30%, Fear 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Disturbing30%
- Fear25%
- Sadness20%
- Anxiety15%
- Empathy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Disturbing, Fear, Sadness. Genres: Drama, Fantasy, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Disturbing, Fear and Sadness. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 33 % | 28 % | 20 % | 20 % |
| 7.5 % | ≈ 9′ | Tension | 41 % | 34 % | 30 % | 21 % |
| 12.5 % | ≈ 14′ | Sadness | 50 % | 30 % | 31 % | 18 % |
| 17.5 % | ≈ 20′ | Sadness | 59 % | 30 % | 30 % | 23 % |
| 22.5 % | ≈ 26′ | Tension | 70 % | 53 % | 50 % | 46 % |
| 27.5 % | ≈ 31′ | Disturbing | 73 % | 66 % | 64 % | 55 % |
| 32.5 % | ≈ 37′ | Tension | 72 % | 65 % | 66 % | 46 % |
| 37.5 % | ≈ 43′ | Disturbing | 76 % | 66 % | 73 % | 48 % |
| 42.5 % | ≈ 48′ | Disturbing | 71 % | 55 % | 56 % | 44 % |
| 47.5 % | ≈ 54′ | Love | 63 % | 39 % | 30 % | 26 % |
| 52.5 % | ≈ 60′ | Love | 68 % | 51 % | 39 % | 33 % |
| 57.5 % | ≈ 66′ | Tension | 79 % | 74 % | 63 % | 54 % |
| 62.5 % | ≈ 71′ | Tension | 76 % | 66 % | 57 % | 48 % |
| 67.5 % | ≈ 77′ | Love | 70 % | 49 % | 40 % | 34 % |
| 72.5 % | ≈ 83′ | Love | 78 % | 60 % | 48 % | 46 % |
| 77.5 % | ≈ 88′ | Tension | 89 % | 81 % | 66 % | 69 % |
| 82.5 % | ≈ 94′ | Tension | 90 % | 83 % | 71 % | 75 % |
| 87.5 % | ≈ 100′ | Disturbing | 84 % | 58 % | 57 % | 52 % |
| 92.5 % | ≈ 105′ | Sadness | 80 % | 28 % | 38 % | 23 % |
| 97.5 % | ≈ 111′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Heartless. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Vinnie
Local Resident
Local Resident / Belle
Linda
Charlie
Sociologist
News Reporter
Young Jamie
She Gang Member
Details
- Directed by
- Philip Ridley
- Written by
- Philip Ridley
- Type
- Movies
- Released
- 2009
- Runtime
- 114 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Disturbing
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
