Kick-Ass
2010 · 118 min · Director: Matthew Vaughn
Show plot summary (may contain spoilers)
Dave Lizewski is an unnoticed high school student and comic book fan with a few friends and who lives alone with his father. His life is not very difficult and his personal trials not that overwhelming. However, one day he makes the simple decision to become a super-hero even though he has no powers or training.
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Emotional fingerprint
Kick-Ass (2010) — Movie. Top emotional signals: Humor 30%, Excitement 25%, Surprise 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Excitement25%
- Surprise20%
- Empathy15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Surprise. Genres: Comedy, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Surprise. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Excitement
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Relief
Dominant emotion: Tension
Dominant emotion: Excitement
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Excitement |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 42 % | 17 % | 17 % | 17 % |
| 7.5 % | ≈ 9′ | Humor | 44 % | 30 % | 13 % | 21 % |
| 12.5 % | ≈ 15′ | Humor | 41 % | 34 % | 8 % | 23 % |
| 17.5 % | ≈ 21′ | Relief | 38 % | 30 % | 5 % | 18 % |
| 22.5 % | ≈ 27′ | Tension | 45 % | 38 % | 6 % | 24 % |
| 27.5 % | ≈ 32′ | Excitement | 57 % | 51 % | 8 % | 33 % |
| 32.5 % | ≈ 38′ | Tension | 57 % | 54 % | 8 % | 26 % |
| 37.5 % | ≈ 44′ | Relief | 53 % | 49 % | 17 % | 18 % |
| 42.5 % | ≈ 50′ | Tension | 51 % | 46 % | 26 % | 15 % |
| 47.5 % | ≈ 56′ | Humor | 48 % | 41 % | 16 % | 25 % |
| 52.5 % | ≈ 62′ | Excitement | 53 % | 45 % | 14 % | 34 % |
| 57.5 % | ≈ 68′ | Tension | 59 % | 46 % | 23 % | 26 % |
| 62.5 % | ≈ 74′ | Relief | 59 % | 43 % | 17 % | 21 % |
| 67.5 % | ≈ 80′ | Tension | 70 % | 61 % | 15 % | 23 % |
| 72.5 % | ≈ 86′ | Tension | 80 % | 68 % | 34 % | 24 % |
| 77.5 % | ≈ 91′ | Sadness | 76 % | 51 % | 49 % | 29 % |
| 82.5 % | ≈ 97′ | Tension | 72 % | 57 % | 37 % | 39 % |
| 87.5 % | ≈ 103′ | Tension | 74 % | 61 % | 22 % | 41 % |
| 92.5 % | ≈ 109′ | Relief | 64 % | 37 % | 28 % | 30 % |
| 97.5 % | ≈ 115′ | Sadness | 52 % | 20 % | 37 % | 20 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Mrs. Zane
Huge Goon
Scary Goon
Baby Goon
Details
- Directed by
- Matthew Vaughn
- Written by
- Matthew Vaughn, Jane Goldman, Mark Millar
- Type
- Movies
- Released
- 2010
- Runtime
- 118 min
- Country
- United Kingdom, United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





