After We Fell
2021 · 99 min · Director: Castille Landon
Show plot summary (may contain spoilers)
Just as Tessa makes the biggest decision of her life, everything changes. Revelations about her family, and then Hardin's, throw everything they knew before in doubt and makes their hard-won future together more difficult to claim.
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Emotional fingerprint
After We Fell (2021) — Movie. Top emotional signals: Love 30%, Anxiety 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Anxiety25%
- Melancholy20%
- Anticipation15%
- Sadness10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Anxiety, Melancholy. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Anxiety and Melancholy. Its IMDb rating of 4.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Sadness
- Surprise
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Joy
Dominant emotion: Surprise
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Sadness | Surprise |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 59 % | 13 % | 33 % | 22 % |
| 7.5 % | ≈ 7′ | Tension | 55 % | 16 % | 25 % | 22 % |
| 12.5 % | ≈ 12′ | Love | 46 % | 23 % | 21 % | 14 % |
| 17.5 % | ≈ 17′ | Sadness | 43 % | 26 % | 22 % | 7 % |
| 22.5 % | ≈ 22′ | Joy | 45 % | 34 % | 14 % | 8 % |
| 27.5 % | ≈ 27′ | Love | 47 % | 39 % | 11 % | 10 % |
| 32.5 % | ≈ 32′ | Love | 48 % | 31 % | 22 % | 11 % |
| 37.5 % | ≈ 37′ | Tension | 51 % | 22 % | 36 % | 8 % |
| 42.5 % | ≈ 42′ | Sadness | 47 % | 22 % | 35 % | 6 % |
| 47.5 % | ≈ 47′ | Joy | 43 % | 29 % | 19 % | 12 % |
| 52.5 % | ≈ 52′ | Joy | 49 % | 41 % | 11 % | 23 % |
| 57.5 % | ≈ 57′ | Love | 53 % | 46 % | 24 % | 20 % |
| 62.5 % | ≈ 62′ | Sadness | 50 % | 41 % | 30 % | 11 % |
| 67.5 % | ≈ 67′ | Joy | 44 % | 30 % | 25 % | 13 % |
| 72.5 % | ≈ 72′ | Sadness | 43 % | 26 % | 23 % | 16 % |
| 77.5 % | ≈ 77′ | Joy | 44 % | 33 % | 19 % | 13 % |
| 82.5 % | ≈ 82′ | Joy | 53 % | 40 % | 27 % | 26 % |
| 87.5 % | ≈ 87′ | Tension | 72 % | 37 % | 50 % | 56 % |
| 92.5 % | ≈ 92′ | Surprise | 71 % | 32 % | 51 % | 55 % |
| 97.5 % | ≈ 97′ | Love | 55 % | 35 % | 37 % | 27 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Landon Gibson
Smith Vance
Mike
Dr. West
Bartender
Lillian
Foreboding Guy
Young Tessa
Emery
Details
- Directed by
- Castille Landon
- Written by
- Anna Todd, Sharon Soboil
- Type
- Movies
- Released
- 2021
- Runtime
- 99 min
- Country
- United States, Bulgaria
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





