From Beginning to End
2009 · 96 min · Director: Aluizio Abranches
Show plot summary (may contain spoilers)
Two brothers develop a very close relationship as they are growing up in an idyllic and happy family. When they are young adults their relationship becomes very intimate, romantic, and sexual.
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Emotional fingerprint
From Beginning to End (2009) — Movie. Top emotional signals: Love 30%, Empathy 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Empathy25%
- Sadness20%
- Melancholy15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Empathy, Sadness. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Empathy and Sadness. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Sadness
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Sadness | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Love | 37 % | 32 % | 0 % | 27 % |
| 7.5 % | ≈ 7′ | Love | 38 % | 34 % | 1 % | 26 % |
| 12.5 % | ≈ 12′ | Love | 38 % | 34 % | 6 % | 19 % |
| 17.5 % | ≈ 17′ | Love | 38 % | 31 % | 10 % | 15 % |
| 22.5 % | ≈ 22′ | Joy | 39 % | 34 % | 9 % | 25 % |
| 27.5 % | ≈ 26′ | Love | 43 % | 38 % | 9 % | 33 % |
| 32.5 % | ≈ 31′ | Humor | 50 % | 33 % | 16 % | 24 % |
| 37.5 % | ≈ 36′ | Tension | 64 % | 33 % | 40 % | 9 % |
| 42.5 % | ≈ 41′ | Sadness | 78 % | 53 % | 50 % | 13 % |
| 47.5 % | ≈ 46′ | Love | 75 % | 65 % | 28 % | 26 % |
| 52.5 % | ≈ 50′ | Love | 61 % | 48 % | 19 % | 21 % |
| 57.5 % | ≈ 55′ | Tension | 60 % | 39 % | 30 % | 14 % |
| 62.5 % | ≈ 60′ | Love | 63 % | 51 % | 29 % | 21 % |
| 67.5 % | ≈ 65′ | Love | 60 % | 59 % | 26 % | 25 % |
| 72.5 % | ≈ 70′ | Love | 61 % | 60 % | 40 % | 19 % |
| 77.5 % | ≈ 74′ | Love | 55 % | 45 % | 39 % | 15 % |
| 82.5 % | ≈ 79′ | Humor | 49 % | 24 % | 29 % | 13 % |
| 87.5 % | ≈ 84′ | Sadness | 55 % | 26 % | 34 % | 8 % |
| 92.5 % | ≈ 89′ | Love | 60 % | 38 % | 33 % | 5 % |
| 97.5 % | ≈ 94′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Thomás (age 20)
Francisco (age 25)
Francisco (age 11)
Thomás (age 6)
Details
- Directed by
- Aluizio Abranches
- Written by
- Aluizio Abranches
- Type
- Movies
- Released
- 2009
- Runtime
- 96 min
- Country
- Brazil
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





