L'amour, c'est mieux à deux
2010 · 100 min · Director: Dominique Farrugia, Arnaud Lemort
Show plot summary (may contain spoilers)
Michel dreams of a perfect meeting with the woman of his dreams, entirely due to chance, as his parents and grandparents experienced. Vincent, Michel's contrast, is completely different. He is more the man of the direct approach and he follows his...! The two childhood friends Michel and Vincent, with completely opposite views when it comes to women, soon discover the limits of their respective techniques when they meet Angèle and Nathalie.
Emotional fingerprint
L'amour, c'est mieux à deux (2010) — Movie. Top emotional signals: Humor 32%, Love 25%, Excitement 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor32%
- Love25%
- Excitement18%
- Confusion15%
- Happiness10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Excitement. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Excitement. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 45 % | 42 % | 33 % | 25 % |
| 7.5 % | ≈ 8′ | Love | 49 % | 44 % | 38 % | 31 % |
| 12.5 % | ≈ 13′ | Humor | 48 % | 45 % | 28 % | 31 % |
| 17.5 % | ≈ 18′ | Humor | 46 % | 46 % | 16 % | 28 % |
| 22.5 % | ≈ 23′ | Humor | 48 % | 48 % | 20 % | 30 % |
| 27.5 % | ≈ 28′ | Humor | 49 % | 45 % | 33 % | 36 % |
| 32.5 % | ≈ 33′ | Hope | 51 % | 44 % | 36 % | 36 % |
| 37.5 % | ≈ 38′ | Humor | 51 % | 43 % | 25 % | 23 % |
| 42.5 % | ≈ 43′ | Tension | 50 % | 39 % | 25 % | 18 % |
| 47.5 % | ≈ 48′ | Love | 49 % | 40 % | 31 % | 23 % |
| 52.5 % | ≈ 53′ | Humor | 46 % | 43 % | 25 % | 20 % |
| 57.5 % | ≈ 58′ | Humor | 45 % | 43 % | 25 % | 24 % |
| 62.5 % | ≈ 63′ | Humor | 46 % | 44 % | 30 % | 31 % |
| 67.5 % | ≈ 68′ | Humor | 49 % | 45 % | 33 % | 30 % |
| 72.5 % | ≈ 73′ | Love | 50 % | 43 % | 35 % | 23 % |
| 77.5 % | ≈ 78′ | Humor | 49 % | 39 % | 29 % | 15 % |
| 82.5 % | ≈ 83′ | Sadness | 48 % | 39 % | 26 % | 16 % |
| 87.5 % | ≈ 88′ | Humor | 53 % | 43 % | 39 % | 31 % |
| 92.5 % | ≈ 93′ | Hope | 61 % | 45 % | 54 % | 49 % |
| 97.5 % | ≈ 98′ | Love | 65 % | 45 % | 62 % | 53 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about L'amour, c'est mieux à deux. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Hélène
Romain
Arvid
Stella
Candice
La grand-mère de Michel
La contractuelle
La femme du palais de justice
Details
- Directed by
- Dominique Farrugia, Arnaud Lemort
- Written by
- Franck Dubosc, Arnaud Lemort
- Type
- Movies
- Released
- 2010
- Runtime
- 100 min
- Country
- France
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Data: JustWatch
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