Head Over Heels
2010 · 96 min · Director: Roberto Santucci
Show plot summary (may contain spoilers)
After being left by her husband and fired from her work, a workaholic businesswoman is forced to go through a big change in her life and becomes a partner on a decadent sex shop.
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Emotional fingerprint
Head Over Heels (2010) — Movie. Top emotional signals: Love 30%, Humor 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Humor25%
- Anxiety20%
- Joy15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Humor, Anxiety. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Humor and Anxiety. Its IMDb rating of 5.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Joy
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Hope
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Joy | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 38 % | 37 % | 17 % | 20 % |
| 7.5 % | ≈ 7′ | Humor | 45 % | 38 % | 11 % | 14 % |
| 12.5 % | ≈ 12′ | Sympathy | 51 % | 40 % | 8 % | 9 % |
| 17.5 % | ≈ 17′ | Humor | 54 % | 49 % | 11 % | 11 % |
| 22.5 % | ≈ 22′ | Humor | 57 % | 59 % | 18 % | 20 % |
| 27.5 % | ≈ 26′ | Humor | 59 % | 61 % | 23 % | 23 % |
| 32.5 % | ≈ 31′ | Humor | 59 % | 60 % | 30 % | 25 % |
| 37.5 % | ≈ 36′ | Humor | 58 % | 58 % | 30 % | 31 % |
| 42.5 % | ≈ 41′ | Humor | 51 % | 48 % | 25 % | 33 % |
| 47.5 % | ≈ 46′ | Hope | 49 % | 41 % | 29 % | 34 % |
| 52.5 % | ≈ 50′ | Humor | 53 % | 49 % | 26 % | 26 % |
| 57.5 % | ≈ 55′ | Humor | 57 % | 57 % | 18 % | 18 % |
| 62.5 % | ≈ 60′ | Humor | 57 % | 59 % | 14 % | 19 % |
| 67.5 % | ≈ 65′ | Humor | 54 % | 56 % | 14 % | 21 % |
| 72.5 % | ≈ 70′ | Humor | 54 % | 55 % | 19 % | 25 % |
| 77.5 % | ≈ 74′ | Humor | 56 % | 50 % | 25 % | 30 % |
| 82.5 % | ≈ 79′ | Sympathy | 60 % | 38 % | 38 % | 41 % |
| 87.5 % | ≈ 84′ | Joy | 64 % | 29 % | 55 % | 53 % |
| 92.5 % | ≈ 89′ | Joy | 64 % | 36 % | 59 % | 50 % |
| 97.5 % | ≈ 94′ | Humor | 62 % | 50 % | 53 % | 43 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Marion
Sorriso
Paulo Segretto "Paulinho"
Carlos
Jorge
Danielle
Joca
Dona Lourdes
Denise
Cliente do Sex Delícia
Rosendo
Pedreiro
Acionista
Acionista 2
Details
- Directed by
- Roberto Santucci
- Written by
- Paulo Cursino, Marcelo Saback
- Type
- Movies
- Released
- 2010
- Runtime
- 96 min
- Country
- Brazil
- Genres
- Comedy
- Ratings
- Feels mostly
- Love
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





