Cold Fish
2010 · 146 min · Director: Sion Sono
Show plot summary (may contain spoilers)
When Syamoto's teenage daughter is caught stealing, a generous middle-aged man helps resolve the situation. The man and his wife offer to have Syamoto's troublesome daughter work at their fish store. Syamoto soon discovers the horrific truth of the seemingly perfect couple.
Emotional fingerprint
Cold Fish (2010) — Movie. Top emotional signals: Disturbing 35%, Anxiety 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Disturbing35%
- Anxiety25%
- Fear20%
- Sadness15%
- Anger5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Disturbing, Anxiety, Fear. Genres: Drama, Crime, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Disturbing, Anxiety and Fear. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Disturbing
- Tension
- Disgust
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion: Disgust
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Disturbing | Tension | Disgust |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Tension | 37 % | 10 % | 34 % | 3 % |
| 7.5 % | ≈ 11′ | Tension | 33 % | 9 % | 26 % | 3 % |
| 12.5 % | ≈ 18′ | Sadness | 31 % | 15 % | 23 % | 6 % |
| 17.5 % | ≈ 26′ | Tension | 36 % | 26 % | 29 % | 10 % |
| 22.5 % | ≈ 33′ | Disturbing | 38 % | 29 % | 33 % | 11 % |
| 27.5 % | ≈ 40′ | Tension | 45 % | 32 % | 41 % | 13 % |
| 32.5 % | ≈ 47′ | Tension | 67 % | 58 % | 59 % | 35 % |
| 37.5 % | ≈ 55′ | Disgust | 84 % | 80 % | 69 % | 61 % |
| 42.5 % | ≈ 62′ | Disturbing | 77 % | 71 % | 68 % | 51 % |
| 47.5 % | ≈ 69′ | Tension | 65 % | 53 % | 61 % | 26 % |
| 52.5 % | ≈ 77′ | Tension | 65 % | 49 % | 63 % | 19 % |
| 57.5 % | ≈ 84′ | Tension | 74 % | 55 % | 72 % | 20 % |
| 62.5 % | ≈ 91′ | Tension | 81 % | 62 % | 79 % | 26 % |
| 67.5 % | ≈ 99′ | Tension | 87 % | 77 % | 80 % | 52 % |
| 72.5 % | ≈ 106′ | Disgust | 91 % | 87 % | 76 % | 74 % |
| 77.5 % | ≈ 113′ | Disturbing | 91 % | 89 % | 78 % | 73 % |
| 82.5 % | ≈ 120′ | Disturbing | 94 % | 92 % | 87 % | 74 % |
| 87.5 % | ≈ 128′ | Disturbing | 96 % | 94 % | 89 % | 77 % |
| 92.5 % | ≈ 135′ | Disturbing | 94 % | 92 % | 86 % | 69 % |
| 97.5 % | ≈ 142′ | Disturbing | 93 % | 91 % | 82 % | 53 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Mitsuko Shamoto
Hiroshi Okubo
Yuko Sawada
Akio's Brother
Akio's Brother
Mitsuko's Boyfriend
Akio's Brother
Akio's Brother
Amazing Gold Employee
Amazing Gold Employee
Details
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
