Take Shelter
2011 · 120 min · Director: Jeff Nichols
Show plot summary (may contain spoilers)
Curtis, a father and husband, is starting to experience bad dreams and hallucinations. Assuming mental illness, he seeks medical help and counseling. However, fearing the worst, he starts building an elaborate and expensive storm shelter in their backyard. This storm shelter threatens to tear apart his family, threatens his sanity and his standing in the community, but he builds it to save his family's life.
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Emotional fingerprint
Take Shelter (2011) — Movie. Top emotional signals: Anxiety 35%, Fear 25%, Empathy 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Fear, Empathy. Genres: Thriller, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Fear and Empathy. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 29 % | 19 % | 19 % | 3 % |
| 7.5 % | ≈ 9′ | Empathy | 32 % | 24 % | 20 % | 4 % |
| 12.5 % | ≈ 15′ | Tension | 38 % | 34 % | 23 % | 7 % |
| 17.5 % | ≈ 21′ | Tension | 48 % | 45 % | 30 % | 16 % |
| 22.5 % | ≈ 27′ | Tension | 52 % | 48 % | 36 % | 24 % |
| 27.5 % | ≈ 33′ | Empathy | 48 % | 41 % | 38 % | 20 % |
| 32.5 % | ≈ 39′ | Relief | 49 % | 37 % | 41 % | 19 % |
| 37.5 % | ≈ 45′ | Empathy | 51 % | 39 % | 48 % | 27 % |
| 42.5 % | ≈ 51′ | Empathy | 53 % | 39 % | 52 % | 37 % |
| 47.5 % | ≈ 57′ | Sadness | 63 % | 47 % | 60 % | 51 % |
| 52.5 % | ≈ 63′ | Tension | 70 % | 59 % | 65 % | 53 % |
| 57.5 % | ≈ 69′ | Empathy | 61 % | 52 % | 58 % | 38 % |
| 62.5 % | ≈ 75′ | Empathy | 53 % | 46 % | 51 % | 35 % |
| 67.5 % | ≈ 81′ | Sadness | 56 % | 47 % | 53 % | 43 % |
| 72.5 % | ≈ 87′ | Empathy | 63 % | 51 % | 54 % | 44 % |
| 77.5 % | ≈ 93′ | Tension | 76 % | 69 % | 54 % | 39 % |
| 82.5 % | ≈ 99′ | Tension | 83 % | 80 % | 59 % | 37 % |
| 87.5 % | ≈ 105′ | Empathy | 75 % | 64 % | 66 % | 41 % |
| 92.5 % | ≈ 111′ | Relief | 63 % | 44 % | 52 % | 34 % |
| 97.5 % | ≈ 117′ | Tension | 58 % | 46 % | 34 % | 24 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Hannah LaForche
Cammie
Russell
Lewis
Special Ed Teacher
Woman in Road
Dave
Janine
Man in Road
Details
- Directed by
- Jeff Nichols
- Written by
- Jeff Nichols
- Type
- Movies
- Released
- 2011
- Runtime
- 120 min
- Country
- United States
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





