360
2011 · 110 min · Director: Fernando Meirelles
Show plot summary (may contain spoilers)
Screenwriter Peter Morgan and Director Fernando Meirelles' movie combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the twenty-first century. Starting in Vienna, this movie beautifully weaves through Paris, London, Bratislava, Rio de Janeiro, Denver, and Phoenix into a single, mesmerizing narrative.
Emotional fingerprint
360 (2011) — Movie. Top emotional signals: Empathy 30%, Anxiety 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Anxiety, Sadness. Genres: Drama, Mystery, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Anxiety and Sadness. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Curiosity
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 47 % | 13 % | 34 % | 44 % |
| 7.5 % | ≈ 8′ | Tension | 42 % | 18 % | 32 % | 38 % |
| 12.5 % | ≈ 14′ | Sadness | 39 % | 24 % | 30 % | 34 % |
| 17.5 % | ≈ 19′ | Tension | 39 % | 26 % | 31 % | 33 % |
| 22.5 % | ≈ 25′ | Empathy | 41 % | 30 % | 37 % | 29 % |
| 27.5 % | ≈ 30′ | Sadness | 42 % | 30 % | 37 % | 26 % |
| 32.5 % | ≈ 36′ | Curiosity | 41 % | 22 % | 29 % | 31 % |
| 37.5 % | ≈ 41′ | Curiosity | 51 % | 32 % | 36 % | 43 % |
| 42.5 % | ≈ 47′ | Sadness | 60 % | 45 % | 45 % | 48 % |
| 47.5 % | ≈ 52′ | Curiosity | 54 % | 36 % | 40 % | 47 % |
| 52.5 % | ≈ 58′ | Tension | 49 % | 33 % | 40 % | 40 % |
| 57.5 % | ≈ 63′ | Sadness | 51 % | 42 % | 47 % | 26 % |
| 62.5 % | ≈ 69′ | Sadness | 59 % | 54 % | 53 % | 29 % |
| 67.5 % | ≈ 74′ | Sadness | 61 % | 56 % | 54 % | 42 % |
| 72.5 % | ≈ 80′ | Sadness | 53 % | 38 % | 43 % | 44 % |
| 77.5 % | ≈ 85′ | Tension | 48 % | 19 % | 31 % | 39 % |
| 82.5 % | ≈ 91′ | Curiosity | 41 % | 14 % | 26 % | 29 % |
| 87.5 % | ≈ 96′ | Curiosity | 41 % | 20 % | 27 % | 24 % |
| 92.5 % | ≈ 102′ | Hope | 50 % | 25 % | 30 % | 22 % |
| 97.5 % | ≈ 107′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Anna
Alyssa
Airport passenger
Waitress
Mirkha
AA Secretary
Laura
Passenger / restaurant customer
Details
- Directed by
- Fernando Meirelles
- Written by
- Arthur Schnitzler, Peter Morgan
- Type
- Movies
- Released
- 2011
- Runtime
- 110 min
- Country
- United Kingdom, Austria, France, Canada, Brazil, United States
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
