Meet Me Next Christmas
2024 · 105 min · Director: Rusty Cundieff
Show plot summary (may contain spoilers)
In pursuit of a fairytale romance with the man of her dreams, Layla must race through New York City to get her hands on the hottest ticket in town: the sold out Pentatonix Christmas Eve Concert.
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Emotional fingerprint
Meet Me Next Christmas (2024) — Movie. Top emotional signals: Love 30%, Humor 25%, Hope 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Humor25%
- Hope20%
- Nostalgia15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Humor, Hope. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Humor and Hope. Its IMDb rating of 5.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Anticipation
- Love
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Anticipation
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Anticipation | Love | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 50 % | 28 % | 27 % | 45 % |
| 7.5 % | ≈ 8′ | Anticipation | 51 % | 39 % | 28 % | 33 % |
| 12.5 % | ≈ 13′ | Anticipation | 50 % | 43 % | 16 % | 18 % |
| 17.5 % | ≈ 18′ | Humor | 45 % | 39 % | 11 % | 16 % |
| 22.5 % | ≈ 24′ | Humor | 46 % | 39 % | 18 % | 20 % |
| 27.5 % | ≈ 29′ | Humor | 51 % | 43 % | 20 % | 20 % |
| 32.5 % | ≈ 34′ | Anticipation | 50 % | 44 % | 23 % | 23 % |
| 37.5 % | ≈ 39′ | Humor | 46 % | 39 % | 24 % | 23 % |
| 42.5 % | ≈ 45′ | Humor | 45 % | 36 % | 21 % | 20 % |
| 47.5 % | ≈ 50′ | Humor | 48 % | 40 % | 26 % | 25 % |
| 52.5 % | ≈ 55′ | Humor | 53 % | 43 % | 40 % | 34 % |
| 57.5 % | ≈ 60′ | Love | 56 % | 44 % | 44 % | 39 % |
| 62.5 % | ≈ 66′ | Humor | 61 % | 49 % | 40 % | 46 % |
| 67.5 % | ≈ 71′ | Joy | 65 % | 53 % | 46 % | 50 % |
| 72.5 % | ≈ 76′ | Love | 63 % | 53 % | 53 % | 40 % |
| 77.5 % | ≈ 81′ | Anticipation | 61 % | 56 % | 54 % | 30 % |
| 82.5 % | ≈ 87′ | Anticipation | 65 % | 64 % | 55 % | 29 % |
| 87.5 % | ≈ 92′ | Anticipation | 73 % | 55 % | 61 % | 44 % |
| 92.5 % | ≈ 97′ | Love | 69 % | 28 % | 60 % | 56 % |
| 97.5 % | ≈ 102′ | Joy | 52 % | 12 % | 42 % | 48 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Jordy
Scott
Kirstin
Kevin
Matt
Priyanka
Roxy
Tanner
Louise
Davey
Natasha
Javier
Doorman
Debra
Details
- Directed by
- Rusty Cundieff
- Written by
- Molly Haldeman, Camilla Rubis
- Type
- Movies
- Released
- 2024
- Runtime
- 105 min
- Country
- United States
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





