Rocketman
2019 · 121 min · Director: Dexter Fletcher
Show plot summary (may contain spoilers)
The musical fantasy about Elton John's breakthrough years, from his time as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin.
Emotional fingerprint
Rocketman (2019) — Movie. Top emotional signals: Joy 30%, Humor 22%, Love 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Joy, Humor, Love. Genres: Drama, Music, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Joy, Humor and Love. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Joy
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 50 % | 37 % | 47 % | 17 % |
| 7.5 % | ≈ 9′ | Empathy | 59 % | 49 % | 56 % | 24 % |
| 12.5 % | ≈ 15′ | Sadness | 63 % | 48 % | 53 % | 29 % |
| 17.5 % | ≈ 21′ | Joy | 54 % | 28 % | 34 % | 34 % |
| 22.5 % | ≈ 27′ | Hope | 45 % | 21 % | 26 % | 34 % |
| 27.5 % | ≈ 33′ | Joy | 46 % | 23 % | 30 % | 34 % |
| 32.5 % | ≈ 39′ | Hope | 56 % | 15 % | 33 % | 48 % |
| 37.5 % | ≈ 45′ | Joy | 64 % | 8 % | 26 % | 50 % |
| 42.5 % | ≈ 51′ | Joy | 64 % | 6 % | 19 % | 38 % |
| 47.5 % | ≈ 57′ | Joy | 59 % | 9 % | 21 % | 33 % |
| 52.5 % | ≈ 64′ | Joy | 61 % | 28 % | 40 % | 24 % |
| 57.5 % | ≈ 70′ | Sadness | 68 % | 49 % | 56 % | 13 % |
| 62.5 % | ≈ 76′ | Tension | 69 % | 53 % | 56 % | 9 % |
| 67.5 % | ≈ 82′ | Sadness | 75 % | 63 % | 61 % | 6 % |
| 72.5 % | ≈ 88′ | Sadness | 76 % | 70 % | 66 % | 6 % |
| 77.5 % | ≈ 94′ | Sadness | 75 % | 70 % | 66 % | 10 % |
| 82.5 % | ≈ 100′ | Sadness | 78 % | 70 % | 69 % | 25 % |
| 87.5 % | ≈ 106′ | Empathy | 77 % | 56 % | 70 % | 54 % |
| 92.5 % | ≈ 112′ | Hope | 79 % | 33 % | 59 % | 74 % |
| 97.5 % | ≈ 118′ | Joy | 80 % | 17 % | 42 % | 77 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Rocketman. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Young Reggie
Bobby
Cyril
Elton Dean
Heather
Renate
Details
- Directed by
- Dexter Fletcher
- Written by
- Lee Hall
- Type
- Movies
- Released
- 2019
- Runtime
- 121 min
- Country
- United Kingdom, United States, Canada
- Ratings
- Feels mostly
- Joy
- Data updated
Where to watch
Subscription
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
