The Phantom of the Opera at the Royal Albert Hall
2011 · 160 min · Director: Nick Morris, Laurence Connor, Nick Morris
Show plot summary (may contain spoilers)
In 1986, Andrew Lloyd Webber's The Phantom of the Opera arrived on the West End stage at Her Majesty's Theatre. Fast forward 25 years and Phantom has achieved global success, millions of viewers, a film adaptation in 2004 and a musical sequel. Now viewers have the chance to experience this phenomenal show right from their own screens. Filmed at the Royal Albert Hall, this stunning performance brings the show to a bigger stage and celebrates its role as one of the biggest shows in theatre history, with speeches, performances and appearances by the original cast and some of the show's most notable Phantoms, including John Owen-Jones and Colm Wilkinson. Starring Ramin Karimloo and Sierra Boggess, Phantom tells the story of a deformed musical genius who lives in the catacombs of the Paris Opera House. Shunned by society, the Phantom seeks revenge in cruel and often violent acts. The Phantom is in love with chorus girl Christine Daaé and has been secretly training her to replace La Carlotta as the opera's reigning diva. However, when Christine is thrust into the spotlight, she is also reunited with childhood friend Raoul. Passion, obsession and chaos ensue as Christine finds herself torn between her love for Raoul and her strange pull towards the mysterious and dangerous Phantom.
Emotional fingerprint
The Phantom of the Opera at the Royal Albert Hall (2011) — Movie. Top emotional signals: Awe 30%, Excitement 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Awe30%
- Excitement25%
- Love20%
- Melancholy15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Excitement, Love. Genres: Drama, Musical, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Excitement and Love. Its IMDb rating of 8.8/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Joy | 36 % | 23 % | 11 % | 8 % |
| 7.5 % | ≈ 12′ | Humor | 43 % | 25 % | 14 % | 16 % |
| 12.5 % | ≈ 20′ | Joy | 51 % | 32 % | 20 % | 27 % |
| 17.5 % | ≈ 28′ | Tension | 59 % | 44 % | 18 % | 38 % |
| 22.5 % | ≈ 36′ | Love | 65 % | 50 % | 17 % | 41 % |
| 27.5 % | ≈ 44′ | Tension | 66 % | 57 % | 23 % | 25 % |
| 32.5 % | ≈ 52′ | Tension | 66 % | 63 % | 19 % | 12 % |
| 37.5 % | ≈ 60′ | Humor | 71 % | 55 % | 16 % | 31 % |
| 42.5 % | ≈ 68′ | Love | 78 % | 46 % | 33 % | 59 % |
| 47.5 % | ≈ 76′ | Sadness | 76 % | 53 % | 45 % | 50 % |
| 52.5 % | ≈ 84′ | Tension | 73 % | 64 % | 36 % | 24 % |
| 57.5 % | ≈ 92′ | Tension | 75 % | 62 % | 44 % | 19 % |
| 62.5 % | ≈ 100′ | Sadness | 78 % | 55 % | 56 % | 28 % |
| 67.5 % | ≈ 108′ | Tension | 80 % | 68 % | 44 % | 39 % |
| 72.5 % | ≈ 116′ | Tension | 88 % | 85 % | 49 % | 50 % |
| 77.5 % | ≈ 124′ | Sadness | 92 % | 70 % | 74 % | 61 % |
| 82.5 % | ≈ 132′ | Sadness | 88 % | 29 % | 66 % | 53 % |
| 87.5 % | ≈ 140′ | Joy | 79 % | 10 % | 28 % | 33 % |
| 92.5 % | ≈ 148′ | Joy | 71 % | 17 % | 11 % | 35 % |
| 97.5 % | ≈ 156′ | Joy | 71 % | 16 % | 16 % | 45 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Phantom of the Opera at the Royal Albert Hall. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Carlotta Giudicelli
Monsieur Firmin
Monsieur André
Madame Giry
Ubaldo Piangi
Meg Giry
Auctioneer
Monsieur Reyer
Monsieur Lefevre
Don Attilio (Il Muto)
Passarino (Don Juan Triumphant)
Madame Firmin
Wardrobe Mistress
Confidante (Il Muto)
Andrew Lloyd Webber
Details
- Directed by
- Nick Morris, Laurence Connor, Nick Morris
- Written by
- Gaston Leroux, Andrew Lloyd Webber, Richard Stilgoe, Richard Stilgoe, Charles Hart
- Type
- Movies
- Released
- 2011
- Runtime
- 160 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Awe
- Data updated
Where to watch
Rent
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