Summer in February
2013 · 101 min · Director: Christopher Menaul
Show plot summary (may contain spoilers)
The Newlyn School of artists flourished at the beginning of the 20th Century and the film focuses on the wild and bohemian Lamorna Group, which included Alfred Munnings and Laura and Harold Knight. The incendiary anti-Modernist Munnings, now regarded as one of Britain's most sought-after artists, is at the centre of the complex love triangle, involving aspiring artist Florence Carter-Wood and Gilbert Evans, the land agent in charge of the Lamorna Valley estate. True - and deeply moving - the story is played out against the timeless beauty of the Cornish coast, in the approaching shadow of The Great War.
Emotional fingerprint
Summer in February (2013) — Movie. Top emotional signals: Sadness 35%, Love 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Love25%
- Melancholy20%
- Anxiety10%
- Awe10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Love, Melancholy. Genres: Drama, Romance, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Love and Melancholy. Its IMDb rating of 5.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sympathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sympathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 30 % | 4 % | 0 % | 10 % |
| 7.5 % | ≈ 8′ | Humor | 30 % | 6 % | 1 % | 9 % |
| 12.5 % | ≈ 13′ | Humor | 28 % | 9 % | 3 % | 13 % |
| 17.5 % | ≈ 18′ | Humor | 31 % | 13 % | 6 % | 21 % |
| 22.5 % | ≈ 23′ | Love | 36 % | 13 % | 6 % | 23 % |
| 27.5 % | ≈ 28′ | Love | 38 % | 13 % | 6 % | 21 % |
| 32.5 % | ≈ 33′ | Love | 38 % | 17 % | 10 % | 24 % |
| 37.5 % | ≈ 38′ | Love | 43 % | 20 % | 13 % | 26 % |
| 42.5 % | ≈ 43′ | Love | 47 % | 24 % | 17 % | 28 % |
| 47.5 % | ≈ 48′ | Love | 43 % | 30 % | 21 % | 32 % |
| 52.5 % | ≈ 53′ | Sympathy | 45 % | 39 % | 28 % | 38 % |
| 57.5 % | ≈ 58′ | Sympathy | 61 % | 56 % | 45 % | 53 % |
| 62.5 % | ≈ 63′ | Sympathy | 70 % | 64 % | 52 % | 63 % |
| 67.5 % | ≈ 68′ | Sympathy | 60 % | 52 % | 41 % | 53 % |
| 72.5 % | ≈ 73′ | Sadness | 55 % | 45 % | 41 % | 49 % |
| 77.5 % | ≈ 78′ | Sadness | 65 % | 54 % | 55 % | 50 % |
| 82.5 % | ≈ 83′ | Love | 75 % | 64 % | 62 % | 51 % |
| 87.5 % | ≈ 88′ | Sympathy | 70 % | 61 % | 56 % | 49 % |
| 92.5 % | ≈ 93′ | Sadness | 56 % | 47 % | 47 % | 31 % |
| 97.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Summer in February. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
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Details
- Directed by
- Christopher Menaul
- Written by
- Jonathan Smith, Julian Sedgwick
- Type
- Movies
- Released
- 2013
- Runtime
- 101 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Free
Rent
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