feeldb

The Grand Budapest Hotel

2014 · 100 min · Director: Wes Anderson ★ IMDb 8.1 · 990,078 ratings

Show plot summary (may contain spoilers)

This movie recounts the adventures of M. Gustave (Ralph Fiennes), a legendary concierge at a famous European hotel between the wars, and Zero Moustafa (Tony Revolori), the lobby boy who becomes his most trusted friend. The story involves the theft and recovery of a priceless Renaissance painting and the battle for an enormous family fortune - all against the backdrop of a suddenly and dramatically changing continent.

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Emotional fingerprint

The Grand Budapest Hotel (2014) — Movie. Top emotional signals: Humor 35%, Surprise 20%, Excitement 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Humor35%
  2. Awe15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Humor, Surprise, Excitement. Genres: Comedy, Drama. AI estimate.

Is it worth watching?

Consider this title if you are looking for Humor, Surprise and Excitement. Its IMDb rating of 8.1/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 72/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Curiosity
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Humor

Dominant emotion: Sadness

Dominant emotion: Tension

Dominant emotion: Empathy

Tension
Curiosity
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 78 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionCuriositySadness
2.5 %≈ 3′Curiosity42 %10 %47 %12 %
7.5 %≈ 8′Curiosity44 %14 %44 %15 %
12.5 %≈ 13′Humor46 %22 %35 %25 %
17.5 %≈ 18′Sadness50 %32 %28 %30 %
22.5 %≈ 23′Tension54 %40 %31 %21 %
27.5 %≈ 28′Humor52 %36 %38 %15 %
32.5 %≈ 33′Humor49 %33 %42 %18 %
37.5 %≈ 38′Curiosity51 %44 %45 %16 %
42.5 %≈ 43′Curiosity53 %44 %47 %12 %
47.5 %≈ 48′Curiosity54 %41 %43 %13 %
52.5 %≈ 53′Tension60 %53 %34 %17 %
57.5 %≈ 58′Tension66 %57 %25 %27 %
62.5 %≈ 63′Empathy62 %43 %25 %32 %
67.5 %≈ 68′Humor50 %34 %35 %16 %
72.5 %≈ 73′Curiosity53 %44 %42 %14 %
77.5 %≈ 78′Tension65 %60 %38 %35 %
82.5 %≈ 83′Tension70 %66 %29 %37 %
87.5 %≈ 88′Tension73 %63 %24 %35 %
92.5 %≈ 93′Sadness75 %54 %23 %51 %
97.5 %≈ 98′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

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Cast

Details

Directed by
Wes Anderson
Written by
Wes Anderson, Stefan Zweig, Hugo Guinness
Type
Movies
Released
2014
Runtime
100 min
Country
United States, Germany
Genres
Comedy, Drama
Ratings
★ IMDb 8.1 · 990,078 ratings
Feels mostly
Humor
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.