Modern Life Is Rubbish
2017 · 105 min · Director: Daniel Jerome Gill
Show plot summary (may contain spoilers)
Brought together by their shared love of music, ten years on Liam and Natalie are at breaking point. In their case opposites attract but don't necessarily work long-term. Making the difficult decision to separate, they must split their prized music library. But the sound track that defined their relationship keeps pulling them back together.
Emotional fingerprint
Modern Life Is Rubbish (2017) — Movie. Top emotional signals: Sadness 30%, Love 25%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Love, Nostalgia. Genres: Comedy, Romance, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Love and Nostalgia. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 48 % | 44 % | 11 % | 12 % |
| 7.5 % | ≈ 8′ | Humor | 47 % | 31 % | 22 % | 17 % |
| 12.5 % | ≈ 13′ | Love | 48 % | 15 % | 36 % | 24 % |
| 17.5 % | ≈ 18′ | Humor | 49 % | 8 % | 39 % | 23 % |
| 22.5 % | ≈ 24′ | Humor | 53 % | 12 % | 42 % | 21 % |
| 27.5 % | ≈ 29′ | Love | 57 % | 16 % | 48 % | 27 % |
| 32.5 % | ≈ 34′ | Hope | 55 % | 15 % | 45 % | 33 % |
| 37.5 % | ≈ 39′ | Love | 49 % | 19 % | 34 % | 25 % |
| 42.5 % | ≈ 45′ | Tension | 52 % | 32 % | 20 % | 12 % |
| 47.5 % | ≈ 50′ | Sadness | 64 % | 51 % | 13 % | 8 % |
| 52.5 % | ≈ 55′ | Sadness | 71 % | 65 % | 16 % | 8 % |
| 57.5 % | ≈ 60′ | Sadness | 69 % | 66 % | 23 % | 12 % |
| 62.5 % | ≈ 66′ | Sadness | 57 % | 48 % | 23 % | 19 % |
| 67.5 % | ≈ 71′ | Humor | 49 % | 34 % | 22 % | 25 % |
| 72.5 % | ≈ 76′ | Sadness | 53 % | 42 % | 31 % | 28 % |
| 77.5 % | ≈ 81′ | Sadness | 60 % | 54 % | 35 % | 32 % |
| 82.5 % | ≈ 87′ | Sadness | 62 % | 52 % | 29 % | 43 % |
| 87.5 % | ≈ 92′ | Hope | 65 % | 42 % | 42 % | 54 % |
| 92.5 % | ≈ 97′ | Love | 65 % | 34 % | 55 % | 48 % |
| 97.5 % | ≈ 102′ | Sadness | 54 % | 32 % | 44 % | 30 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Modern Life Is Rubbish. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Gus
Layla
Ben
Sally Jones
Emma
Solomon
Details
- Directed by
- Daniel Jerome Gill
- Written by
- Philip Gawthorne
- Type
- Movies
- Released
- 2017
- Runtime
- 105 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Subscription
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
