Barney Thomson
2015 · 96 min · Director: Robert Carlyle
Show plot summary (may contain spoilers)
Barney Thomson (Robert Carlyle) is a sad sack of a man. He identifies himself mostly as a barber, Hendersons' Barbers in a working class neighborhood of Glasgow, Scotland, where he's worked for twenty years. More introspective than extroverted, which does not work well for the business, he has fewer and fewer customers, and as such his current boss, Wullie Henderson (Stephen McCole), son of the retired owner James Henderson (James Cosmo), who originally hired him, is moving him further and further away from the spotlight of the shop. Meanwhile, five men so far have been killed by who the general public is nicknaming the "Body Parts Killer," as the murderer sends through the post body parts of the victims to the victims' loved ones. Lead investigator, Detective Inspector Holdall (Ray Winstone), assisted by Detective Inspector Callum MacPherson (Kevin Guthrie), is no closer now to discovering the Body Parts Killer's identity than when the murders started two months ago. Wanting results, Chief Superintendent McManaman (Sir Tom Courtenay) takes Holdall and MacPherson off the case, instead assigning it to Detective Inspector June Robertson (Ashley Jensen), an A-type personality who believes she can do no wrong, and will take credit for others doing right, which places her and Holdall at odds with each other. What were so far these two unrelated paths start to merge when Wullie tells Barney that he is giving his chair to a new barber, effectively firing him. In an ensuing altercation of sorts, Barney accidentally kills Wullie. When Wullie is reported as missing, Holdall and MacPherson are sent to investigate, and increasingly believe that Barney not only killed Wullie, whose body has not been discovered, but that he is the Body Parts Killer, both which Robertson believes are nonsense. The matter gets more complicated when Barney's self-absorbed, chain smoking and dispassionate mother, Cemolina (Dame Emma Thompson), gets involved, she who would never be considered Mother of the Year.
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Emotional fingerprint
Barney Thomson (2015) — Movie. Top emotional signals: Humor 35%, Surprise 20%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Surprise20%
- Anxiety20%
- Disturbing15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Surprise, Anxiety. Genres: Comedy, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Surprise and Anxiety. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Curiosity
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 45 % | 42 % | 13 % | 30 % |
| 7.5 % | ≈ 7′ | Humor | 50 % | 46 % | 20 % | 27 % |
| 12.5 % | ≈ 12′ | Sadness | 55 % | 41 % | 35 % | 28 % |
| 17.5 % | ≈ 17′ | Tension | 57 % | 35 % | 49 % | 35 % |
| 22.5 % | ≈ 22′ | Humor | 56 % | 38 % | 51 % | 40 % |
| 27.5 % | ≈ 26′ | Tension | 57 % | 41 % | 54 % | 40 % |
| 32.5 % | ≈ 31′ | Tension | 56 % | 43 % | 53 % | 39 % |
| 37.5 % | ≈ 36′ | Humor | 54 % | 43 % | 49 % | 38 % |
| 42.5 % | ≈ 41′ | Tension | 61 % | 46 % | 57 % | 40 % |
| 47.5 % | ≈ 46′ | Tension | 66 % | 46 % | 63 % | 45 % |
| 52.5 % | ≈ 50′ | Tension | 61 % | 41 % | 55 % | 46 % |
| 57.5 % | ≈ 55′ | Humor | 58 % | 46 % | 49 % | 46 % |
| 62.5 % | ≈ 60′ | Humor | 61 % | 50 % | 49 % | 53 % |
| 67.5 % | ≈ 65′ | Disturbing | 66 % | 44 % | 50 % | 57 % |
| 72.5 % | ≈ 70′ | Curiosity | 65 % | 38 % | 50 % | 53 % |
| 77.5 % | ≈ 74′ | Tension | 59 % | 35 % | 48 % | 45 % |
| 82.5 % | ≈ 79′ | Curiosity | 59 % | 41 % | 50 % | 45 % |
| 87.5 % | ≈ 84′ | Tension | 65 % | 48 % | 50 % | 44 % |
| 92.5 % | ≈ 89′ | Disturbing | 65 % | 45 % | 37 % | 37 % |
| 97.5 % | ≈ 94′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Bingo caller
Customer Number 1
Mrs. Gaffney
Chris' Creepy Neighbour
Well Dressed Young Man
Margaret
Jenkins
Mrs. Kerr
Alex
Details
- Directed by
- Robert Carlyle
- Written by
- Douglas Lindsay, Richard Cowan, Colin McLaren
- Type
- Movies
- Released
- 2015
- Runtime
- 96 min
- Country
- United Kingdom, Canada
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





