feeldb

The Duke of Burgundy

2014 · 104 min · Director: Peter Strickland ★ IMDb 6.5 · 15,556 ratings

Show plot summary (may contain spoilers)

A woman who studies butterflies and moths tests the limits of her relationship with her lesbian lover.

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Emotional fingerprint

The Duke of Burgundy (2014) — Movie. Top emotional signals: Confusion 28%, Curiosity 22%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Confusion, Curiosity, Melancholy. Genres: Drama, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Confusion, Curiosity and Melancholy. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.

How did it make you feel?

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Pick up to three · 0/3

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Emotional journey

AI · from subtitles
  • Tension
  • Sadness
  • Love

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Sadness

Dominant emotion: Disturbing

Dominant emotion: Curiosity

Dominant emotion: Love

Dominant emotion: Tension

Tension
Sadness
Love
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 13 %, then peaks around 68 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionSadnessLove
2.5 %≈ 3′Sadness35 %27 %15 %3 %
7.5 %≈ 8′Disturbing49 %40 %16 %1 %
12.5 %≈ 13′Disturbing56 %41 %14 %1 %
17.5 %≈ 18′Curiosity47 %21 %8 %16 %
22.5 %≈ 23′Love46 %19 %6 %33 %
27.5 %≈ 29′Tension46 %29 %8 %31 %
32.5 %≈ 34′Love41 %23 %10 %26 %
37.5 %≈ 39′Curiosity36 %13 %13 %19 %
42.5 %≈ 44′Curiosity37 %11 %14 %15 %
47.5 %≈ 49′Curiosity41 %18 %19 %20 %
52.5 %≈ 55′Love45 %31 %20 %24 %
57.5 %≈ 60′Tension52 %44 %21 %21 %
62.5 %≈ 65′Sadness56 %49 %33 %15 %
67.5 %≈ 70′Tension58 %51 %40 %15 %
72.5 %≈ 75′Tension58 %51 %38 %16 %
77.5 %≈ 81′Tension56 %50 %28 %10 %
82.5 %≈ 86′Tension48 %40 %15 %6 %
87.5 %≈ 91′Love46 %29 %25 %24 %
92.5 %≈ 96′Sadness54 %29 %43 %43 %
97.5 %≈ 101′Love49 %25 %37 %38 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

0 responses so far

Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

MS
Monica Swinn

CD
Chiara D'Anna

Evelyn

CD
Chiara D'Anna

EC
Eugenia Caruso

Dr. Fraxini

ZK
Zita Kraszkó

Dr. Schuller

ET
Eszter Tompa

Dr. Viridana

FM
Fatma Mohamed

The Carpenter

KB
Kata Bartsch

Dr. Lurida

GM
Gretchen Meddaugh

Dr. in audience

Details

Directed by
Peter Strickland
Written by
Peter Strickland
Type
Movies
Released
2014
Runtime
104 min
Country
United Kingdom, Hungary
Genres
Drama, Romance
Ratings
★ IMDb 6.5 · 15,556 ratings
Feels mostly
Confusion
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.