Two Days, One Night
2014 · 95 min · Director: Jean-Pierre Dardenne, Luc Dardenne
Show plot summary (may contain spoilers)
Sandra Bya, married with two children, has been off work from her job at Solwal on medical leave for depression. During her absence from work, her boss, M. Dumont, on the suggestion of her immediate supervisor, the shop foreman Jean-Marc, figures that her section of the company can function with sixteen people working full time with a bit of overtime instead of seventeen with no overtime, that seventeenth person being Sandra. Because of the global competition the company faces, Dumont decides the company can only finance the annual bonuses for those sixteen employees, which are EUR1,000 per person, or Sandra's job, leaving the decision to those sixteen. On a Friday near the end of her medical leave, Sandra learns of this situation from her friend and co-worker Juliette after the "show of hands" vote is held, the result a 13-3 decision for the bonuses over Sandra's job. Because Juliette knows Jean-Marc, who is determined to get rid of Sandra, influenced the vote by scare mongering through misinformation, Juliette and Sandra, at the end of the working day on Friday, are able to convince Dumont to hold another secret ballot on Monday morning, with Sandra needing a majority to keep her job, meaning nine votes. By Saturday morning, Sandra's supportive husband, Manu, convinces her that over the weekend she should speak to each and all of the thirteen who voted for the bonuses to get them to change their minds. The Byas not only need the income from Sandra's job but Manu believes the job is a symbol for Sandra of her own self worth, important now in her tenuous mental state. As Sandra reluctantly goes about this task, she finds that not only is she uncomfortable being in this somewhat confrontational situation, but that the people who voted against her have their own household conflicts over their own EUR1,000, which would keep some of them afloat financially. As the weekend progresses, Sandra will find if she is strong enough emotionally to deal with the situation.
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Emotional fingerprint
Two Days, One Night (2014) — Movie. Top emotional signals: Empathy 35%, Sadness 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy35%
- Sadness25%
- Anxiety20%
- Inspiration10%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Anxiety. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Anxiety. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Sadness | 50 % | 50 % | 43 % | 40 % |
| 7.5 % | ≈ 7′ | Empathy | 56 % | 56 % | 48 % | 43 % |
| 12.5 % | ≈ 12′ | Empathy | 57 % | 59 % | 44 % | 40 % |
| 17.5 % | ≈ 17′ | Empathy | 53 % | 56 % | 34 % | 39 % |
| 22.5 % | ≈ 21′ | Empathy | 49 % | 54 % | 34 % | 38 % |
| 27.5 % | ≈ 26′ | Empathy | 51 % | 55 % | 44 % | 36 % |
| 32.5 % | ≈ 31′ | Sadness | 61 % | 63 % | 46 % | 35 % |
| 37.5 % | ≈ 36′ | Empathy | 65 % | 65 % | 40 % | 33 % |
| 42.5 % | ≈ 40′ | Sadness | 63 % | 63 % | 48 % | 43 % |
| 47.5 % | ≈ 45′ | Sadness | 69 % | 66 % | 60 % | 60 % |
| 52.5 % | ≈ 50′ | Tension | 69 % | 65 % | 55 % | 61 % |
| 57.5 % | ≈ 55′ | Empathy | 55 % | 54 % | 41 % | 49 % |
| 62.5 % | ≈ 59′ | Tension | 53 % | 51 % | 41 % | 49 % |
| 67.5 % | ≈ 64′ | Sadness | 68 % | 64 % | 57 % | 65 % |
| 72.5 % | ≈ 69′ | Tension | 78 % | 73 % | 65 % | 65 % |
| 77.5 % | ≈ 74′ | Relief | 70 % | 69 % | 51 % | 43 % |
| 82.5 % | ≈ 78′ | Empathy | 65 % | 64 % | 34 % | 44 % |
| 87.5 % | ≈ 83′ | Tension | 70 % | 63 % | 36 % | 57 % |
| 92.5 % | ≈ 88′ | Sadness | 73 % | 65 % | 48 % | 43 % |
| 97.5 % | ≈ 93′ | Hope | 73 % | 68 % | 45 % | 23 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Maxime
Willy's wife
Nadine
Nanna
Timur's daughter
Barwoman
Timur
Hicham's wife
Maghrebian cashier
Hicham
Yvon
Jérôme
Jérôme's friend
Details
- Directed by
- Jean-Pierre Dardenne, Luc Dardenne
- Written by
- Jean-Pierre Dardenne, Luc Dardenne
- Type
- Movies
- Released
- 2014
- Runtime
- 95 min
- Country
- Belgium, France, Italy
- Genres
- Drama
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
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